Woolen Men

Portland stalwarts Woolen Men snuck out a low key release last week and it’s further proof that they’re cementing their status as heirs to the crooked crown of spindly post-punks. The band trawls through the catalogs of Kiwi scrappers like The Clean and Chris Knox then staple their approach the the steel wool scrape of The Fall, the no frills delivery of The Modern Lovers and the ensconced pop pilfering of The Feelies. And while that might make them sound more like archivists than innovators, the band’s appeal is more in how they fit the pieces together rather than any Where’s Waldo spot-the-influence challenge.

Woolen Men have shown up strong ever since their scruffy self-titler back in 2013. They came gunning for listeners with a whiff of familiarity that acts as bait to their acerbic world, then hook ’em in with rusted barb of guitar that bites deep. What’s surprising is that this release, while actually an odds n’ sods collection of tour tape cuts, splits and even a flexi, works as well as anything they’ve put out in their regular rotation. Even their chosen covers weave seamlessly, proving that the band both emulate their heroes well and have absorbed those sounds into the very DNA of their own work. That this doesn’t feel like an unplanned release cobbled together speaks highly to the creators. If even the extras are this strong, I can’t wait to see how the next proper LP shapes up.




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