There just aren’t that many classic power pop tales that begin with, “straight outta Rhode Island,” but the clam neck state offered up Velvet Crush in 1989 and they’d work their way into one of the decade’s oft overlooked gems. To be fair the band actually got it together in Southern Illinois college towns, where the band’s Paul Chastain was helping care out a sound running the Picture Book label. The band picked up roots and headed to Providence, but nabbed some help from friend and fellow power-pop impresario Matthew Sweet. Sweet would record In The Presence of Greatness as well as play guitar on the LP. The band share’s a considerable crossover with his love of The Raspberries and Big Star, showcasing a similar love for the jangled, classic version of the genre on their debut.
The album gained some traction in college rock circles but wound up making the most impression oversees, where the band would wind up distributed by Creation. Problem there was in 1989 Creation was moving from jangles to shoegaze and while the band might have fit in with a longview of the label, at the time they were passé for a lot of British fans. Be that as it may, the record is a solid sender of jangle-pop, power pop and college rock. Its incredibly indebted to the old guard of power pop that preceded it by a decade, but they’re pulling it off as good as most.
The band would go on to get further attention around their sophomore LP, Teenage Symphonies To God, produced by ‘90s studio savant Mitch Easter (R.E.M., The dB’s), but the band would wind up stretching a bit outside of their comfort zone. The debut is a great genre dig for those who love the crossover of power pop and Creation. While maybe not the most essential of either of those camps, it’s a great curio from the era that was left to linger for far too long.
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