Just like last year started with a blast from Ty, so starts 2017 with a new album from the hardest working man in garage-psych. For his second eponymous venture, he’s departed from The Muggers, shaken the deliciously diseased vibes that flooded Emotional Mugger and returned to finding peace somewhere between the Bolan bound twinges of psych-folk come down with a beautiful case of the shakes and proto-metal’s thick, earthen hammer of fuzz. Segall’s made no over arching claims on this one, just that its the best batch of songs he’s had in him and that’s what he’s putting forward. No small proposal in a catalog that stretches longer than most artists could ever hope to muster, but the man makes good on his promises to lay down some true new gems, glittering among a career full of amp-toasted earworm nuggets.
He’s both at his heaviest, besting even the electrified armor heft of Slaughterhouse, and his most pastoral, taking Sleeper‘s mellow mind to task. The heavy standout here is the 10+ minute opus, “Warm Hands (Freedom Returned)” which goes ques up the guitar god clip for our judges in the audience. If you came for the heavy psych vibes and wallpaper peel, please proceed directly to track three and let your brain melt like butter in the sun. For me though, as much as I appreciate a good, hard mind flay, its the softer side that finds me coming back again and again. Pristine plums like “Take Care (To Comb Your Hair),” “Talkin'” and “Orange Color Queen” beg for quietude, calm air and an appreciation of the artist’s presumably ample collection of ’70s country, folk and psych slabs for their inspiration.
The album employs a new (and yet not so new – welcome back Emmet Kelly, Mikal Cronin and Charles Moothart) backing band that calls up old friends, cuts the crew down to a core that can’t miss and records one of the first true big studio albums in the artist’s career. Cut with minimal overdubs, just a band in a room working as a unit to bring an album beating to life, its an record that won’t let itself slip from view in a year that threatens to be choked with big banner releases. I think, for me at least, that’s why I’ll always be waiting to hear what Segall does next. Every new album will make good on promises to, if not outdo the last one, always be an essential and vital voice kicking holes in rock’s altar.
Support the artist. Buy it HERE.