At its heart, the new Advisory Circle record is Jon Brooks doing what he does best, creating synth worlds that explode into vivid view over the course of an album. He’s long been using the moniker to explore hypnogogic wonderlands and Library music in equal measure but his latest leans much heavier on the latter this time, leaving the psychedelic touches that marked From Out Here behind. Jumping off from the works explored by his recent team up with Jim Jupp as Belbury Circle he’s jettisoning the Omni via Radiophonic works of his previous LP and the pastoral filmstrip aesthetic of early classics like As The Crow Flies and embracing the synth led excess of the ‘Me Decade’ in full swing.
Where Belbury Circle found its way to the darker side of synth, plumbing the depths of horror soundtracks and Goblin inspired italo-freak classics, Ways of Seeing embraces the late ‘70s and ‘80s television serial and the self-serious caper film via library tracks stuffed with tension, gloss and the kind of plastic wrapped synth lines that immediately date some of the most indelible film memories of an ‘80s childhood. There’s no moment in movies like Real Genius or Kung Fury that is not hinged on the faux futurism of digital joy that bubbles beneath the action. Likewise shows like Miami Vice found their edge in this same sonic cocoon, subtly giving viewers the feeling that recycled themes held a more modern meaning with a few extra silky synths plodding the plot along.
That seems to be the core theme of Ways of Seeing, perception changed through aural accompaniment, and its reflected in the spot-on packaging (as usual) of Julian House which mirrors ‘80s film and camera magazines and brochures of the era. Brooks has proven time and again that he’s a scholar of the music that moves behind what we watch and while his references here are no doubt well beyond my soundtrack prowess his zeal has produced an album that transports the listener to an immediate time and place, snapping the senses awake as easily as a smell tied to childhood. Even if you didn’t notice it consciously, these were the sounds that permeated a decade or more of programming. Their sounds are already in your DNA, Brooks just brings it bubbling to the surface like a long hidden scar.
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