Fuzz

A new edition of Fuzz is upon us and it’s not long after the album begins before we’re swept under the atomic crush of the band’s monolithic riffs. This time around they make a natural choice in employing Steve Albini to man the boards and his crisp, unfettered approach only hooks a deeper bite into the listener. The band continues to flourish in the power trio posture — letting the space between them seethe and sweat with a fevered pulse. The interplay between guitar and bass is symbiotic, growl met with growl soaked in the electric sweat of elder gods crumbling into ozone and creosote. Ty’s drums spring and tangle, locking into a swing that’s brief before the next power surge suplex from the strings kicks in. Lurking in the background, Albini’s there to capture it all to fresh tape, a fly on the wall watching a band heat the seams of the room to molten magnitudes.

The songs themselves are, for the most part, lean and hungry. They occasionally indulge in extending their fission fry into the six and seven minute marks, but they don’t tend to jam, and under no circumstances do Fuzz noodle. Blue Cheer carved the altar and Fuzz let the blood drip down upon it. The energy in the room is soaked into the tape and beamed through the speakers with a heat that could bake a tan into the listener. It’s hard not to feel the band being excited about what they’re creating, even if its not breaking the mold. They’re more than open about this being an album enthralled with guitar rock and not seeking to move the needle forward, though. They revel in the tumult of noise and the body high bruise of a triple-stack storm of good ol’ face melters. On pretty much all levels I couldn’t agree more. There are times when I need a band to work up an alchemical shift on the old guard, but there are also days, and might I say after this one, even years, when a sonic reducer to the skull is plenty welcomed. Fuzz shake us all to the bones and I’m not the least bit mad about it.


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