BOYTOY

On their sophomore LP, Brooklyn’s BOYTOY evoke the West Coast far more often than they reference the streets of their current home. Part of that left coast feeling may lie in the album’s Topanga Canyon conception and its construction at the hands of producer Kyle Mullarky (The Allah-Las, The Growlers). The record is soaked in eternal sun and imbued with a laid-back attitude that’s picking at the bones of surf and garage, with plenty of affection saved on the side for sunshine pop and doo wop swoons. The band borrows bass talents from Lena Simon of La Luz and, like her mainstay, the band has a habit of straddling those genre lines with an effortless cool.

Much of that effortlessness must be credited to vocalist / guitarist Saara Untracht-Oakner, however, who wraps her delivery in a permanently cocked smile that lets on just how much fun she’s having with these songs. The best garage pop can’t be taken too seriously (a lesson the aforementioned Growlers seemed to have unlearned on their last LP) and for the genre to stay afloat it’s necessary to impart some manner of carefree cool or irreverent recklessness. While BOYTOY aren’t going to blow down the doors of your surfshack or ruffle the sensibilities of your elders, they’re certainly helping the sun shine brighter and the beers go down easier. Night Leaf is tried and true to the formula of latter day garage – dipping its toes in girl group charms and lacing them with a touch of bite. Be that as it may, if you’re looking to soundtrack a day or two spent ditching summer school, then the band has your back.



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