Phew, are Woods already on their ninth album? Did I read that right? Its a little hard to believe, but back when this site began a few downloaded tracks and a CD from the old Fusetron Sound distro opened up the world of Woods to me and it hardly seemed like those sketches of guitar would wind up as the contender that the band is today. On City Sun Eater Eater In The River of Light the band take their second trip to a studio that’s not a portion of their house and in turn their sound expands in both scope and execution. They’ve shaved down the ecstatic freakout portion of their attack, perhaps relegating it to the stage versions of these songs, but they’ve embraced a whole cadre of elements not seen creeping up before.
There are shades of African funk and jazz, but not to worry they don’t take any sanctimonious mid-aughts or Graceland approaches to it, the sounds just fold in adding ominous layers to the band’s psychedelic folk. There are also stabs of horns that whisper of cantina nights, hazy and menacing and filling out their sound nicely. That menace is an element that seems to color this record differently than any of Woods’ albums past. There are still plenty of moments that yoke in the sun, but there are an equal if not greater number that let in the dark, feeling a chilly pessimism resonate in Jeremy Earl’s lyrics and adding a gravitas and grounding that feels like an omen of these strange times. As these elements coalesce, what surfaces is Woods’ heaviest and most resonant album yet. Its an album that digests anxiety, uncertainty and acceptance in ways we’ll all need to learn to get through tomorrow.
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