Sydney psych-pop acolytes The Dandelion pick up plenty of cues from Broadcast and Sterolab, but there’s also a glam element that comes away sounding like Vashti Bunyan working through a repertoire of T. Rex covers. The band came bubbling to the surface on the roster of last year’s GizzFest (King Gizz’ own hometown hoedown picking out the best of Aussie psych) and they’re prepping for an upcoming LP soon. The band’s interim, three track offering on French label Six Tonnes De Chair ably displays the Krautrock ripples of repetition, the good ol’ fashioned garage rock getdown and the flowers-in-their-hair throwback qualities that makes the band so endearing.
The title track is the most indebted to the ghost of Trish Keenan, though the band are definitely working on a less technical and more from-the-hip angle than Broadcast. Organs bubble through the headphones in cellophane-wrapped lysergic colors while Natalie de Silver’s voice whispers from some forgotten plane of existence. “Lucifer and the Knife” brings that Bolan boogie to the forefront, shimmying along the edges of astral projection. They actually hit on a lot of the same vibes that Meg Remy and U.S. Girls were simmering in during their Gems period. Then the band closes out the record with the instrumental killer “Malkaus,” shaking down enough crystal-funk spine shivers to keep the listener baking in bliss all the way home.
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