Scattered Purgatory


For a band from Taiwan, Scattered Purgatory owe an awful huge debt to Germany. Their latest, Sua-Hiam-Zun, is forged from the same clouded waters that sprang Popul Vuh, Ash Ra Temple and Cluster. The album works with atmosphere as its medium, building tension through a massive cavern of sound that feels as if its sprung up slowly on all sides. The listener is trapped in glacial ice and moved with an inching dread towards fates unknown. The duo seems to merely take the German Progressives as a jump off, however, working their systems into festering, humming dystopian dreamscapes that remain anxious despite limited moving parts.

Synths growl like the bellows of huge furnaces, hot and dry with the arid stink of smelted metal. Those remain the bedrock of Sua-Hiam-Zun, but are often shrouded in a layer of fog that seems unbreakable, as if it stretches clear to the highest reaches of the album’s choked atmosphere. The real movement is contained to clattering and clanging percussive notes that seem to act as the inhabitants of Scattered Purgatory’s universe. Needless to say, that universe has no apparent love for itself – a negative space that’s full of life trapped under glass.

Scattered Purgatory takes aim at both doom and drone on this album and wind up finding the best of both. The widescreen drones, of course, do nothing to relax the mind as the band continues to punch the anxiety centers of our brains at each leaden moment, but the cinematic grandeur also comes with a feeling of strange imprisonment that’s harder and harder to resist as the album progresses. We see the end coming and are almost powerless to stop it, dragged down by dread and fear and perhaps hopelessness, but in its absolute domination of the horizon, the end seems almost breathtaking to behold through Scattered Purgatory’s eyes.

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