Pair a new release Friday with the madness of these Bandcamp waiver days and things wind up getting lost among the flurry of tweets and shouted recommendations across the wires. In amongst the clamor Spain’s Melenas released their latest for Trouble in Mind and its worth sinking your teeth into now that some of the dust has settled. The Pamplona quartet picks up shades and shards of indie pop along the twisted trail from kiwi-pop (The Bats and Look Blue Go Purple) to UK favorites, digging into the prim charms of The Pastels, The Primitives, and The Clouds. They shake out all the sounds on the table and reassemble them primed for hooks, but somehow completely unfussed by the idea of pop. The record sounds so lived in and natural, like the band rolled out of bed each day and laid down a rumpled and ripped pop track then popped off for day shifts as if its no big deal.

Blending a mixed bag of jangles with the buzzing bliss of synths, they dip their toes on both sides of the indie pop line finding friends with the Sarah twee-tones and the Creation haze merchants alike. With hushed harmonies that don’t overplay their hand, the group turns pensive pining into a delicate artform. They catch more than a few ears with pastel-dipped hooks, yet the album’s sublimely balanced by songs that hang in the air buoyed by a soft grey fog. The group knows the value of not always being ‘on,’ and when they pull back into an ethereal slouch it ties the album’s more ecstatic tracks together into a patchwork pattern that’s pleasing as hell. If Melenas had dropped into the jangle jungle in the mid-80s there’d have definitely been some tug-o-war to get them into the ranks of Sha La La, Postcard, and 53rd & 3rd – if not one of the aforementioned outposts of pop. No reason not to be that excited now. Dias Raros feels like the kind of future collector’s fodder that you’d want to nab before everyone wakes up to it.

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