Doug Paisley

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With his fourth album for No Quarter, Doug Paisley has released a quietly devastating look into getting by. Starter Home, as the title might suggest, revolves around humble family life – burrowing into the weariness, happiness, worry and wonder that’s stretched across the American landscape. From the rain-streaked Sunday strums of the title track opener to the last lilting ripple of “Shadows,” Paisley proves that he’s got a deft hand for crafting winsome country that sketches out small town life in painstaking detail. His characters can’t move beyond the meager means they intended to be temporary fixes, can’t move beyond the jobs that were supposed to drag them out of their paycheck to paycheck lives. They’ve got friends, though, and family and they recognize the small miracles that pull us each through every day with enough of a smile to forget the weight, letting a few beers stoke the will to get to tomorrow.

Paisley’s vignettes aren’t cast in gilded frames. He’s a master of restraint, giving songs just enough to make them gorgeous but not showy, like high contrast black and white photos of ’50s modular homes with worn furniture and a cigarette in each hand. There’s a sense that this album is rooted in the same kind of sorrow and sighs that might have driven Townes or Fred Neil, but also a sense that Paisley is taking his rough roads better than the brand of artists who let the world cut them too deep. Starter Home is, without a doubt, an aching record with despair hovering right around the corner. The charm is that Paisley never lets it catch him or his characters.

The firelight flicker underneath the bittersweet blues keeps each song floating on a comforting warmth. The album’s centerpiece “Drinking With A Friend” kind of sums up the album’s underlying aesthetic. Paisley’s there to buffer your bad days and buy a round. Its the aural equivalent of that ache that hangs at the center of your chest – the pang throbs until it sometimes overwhelms, but it also reminds you that you’re alive, and that in itself is ok. Within the brief nine songs of Starter Home Paisley is able to unbutton then salt the wound and sew it back up for the next day’s lacerations. Its a humble album, that nonetheless leaves a pretty sizable mark.



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