Wet Hair

If it feels like a stretch since Wet Hair turned up here, or anywhere in fact, that’s because the band hasn’t released a record since 2012’s Spill Into Atmosphere. At the time they’d shucked a great deal of their noise cloud and begun polishing their lo-fi pop into something a bit more grand. Before they’d shared groove space with Merchandise, they were everywhere in the small cadre of noise-rock safe harbors – from Shawn Reed’s own Night People to Not Not Fun, De Stijl, and Bathetic. Now they land their post-breakup LP on Wharf Cat and pull back the curtain on what could have been if the band hadn’t faded into the horizon.

The Floating World is definitely the band’s most accessible take to date, besting even their previous two nudges towards a sparkling Krautrock-laden pop. Still couched in a cloud of haze, though not so thick that the edges become indiscernible, the record is glowing with the same electricity that’s always pushed Wet Hair. The percussion tumbles like violent waters below bright, beckoning synths but while that Krautrock tag is certainly still applicable, this is a pop record first and foremost. The best contemporary comparison would be the later work of Cloudland Canyon, who found themselves traversing similar territory and pulling it off with a deft hand. Ultimately the record is a great nugget of noise-pop that’s shelved on the ‘coulda-been, shoulda-been’ pile of bands that get overlooked too often amid changing tastes. Still, there’s no reason not to dip into this gem for a spin or six.




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