Vintage Crop

Aussie punks Vintage Crop have managed to embrace the same sinewy, elastic brand of rock that endeared their countrymen Eddy Current Suppression Ring to fans the world over. Their first LP for the strikingly consistent Anti-Fade Recs crackles with a sweaty, twitchy, inherently muscular brand of punk that’s aesthetically bumping up against the signposts of post-punk, making this one straddle eras of influence with a vital electricity. They’re still cracking the whip as far as energy, but there’s a supple twang to the guitars here and they weld that to the trampoline bounce of bass and gnashed-teeth gang vocals that feel ripe for the pit.

The record, as with their previous tape, gets some shaping from label-head Billy Gardner (see also: The Living Eyes, Ausmuteants) and official Aussie-quality mastering house Mikey Young. The album bumps elbows and jostles heavily against the more laconic trends down in the South-Hemi way these days, replacing tales of couch life and dead-end jobs with nervy tin-hat assertions about flying saucers and altered reality. Though they do get a good shot in about being too lazy to clean up after themselves (on title track “New Age”), they just give it a jolt of twitchy joints by running the slacker-pop sensibilities through a Mark E. Smith filter.

The record pushes the impulses that pounded out their previous tape to their logical ends, feeling all the more vital and for the extra angles and Mapplethorpe lighting they’ve splashed over the top of New Age. The record feels like the start of something great for the Geelong boys. Hopefully they’ll keep pushing the boundaries further towards post-punk’s creep. Either that or they’ll leave an excellent watershed for us to all to enjoy on its own merits.




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