Vetiver

While Vetiver has always had a preternaturally calm demeanor, there’s something inherently broken-in, yet endearingly comfortable about Andy Cabic’s latest LP under the name. Vetiver captures the worn and weathered valley between ennui and ease and the album is marked by a familiarity that’s hard to shake, but mostly because Cabic’s able to synthesize his influences into a faded denim delivery that couldn’t be mistaken for anything other than Vetiver. His past catalog obviously speaks to the same feelings, but there seems to be a particular abundance of warm amber waves and cool blue ripples that slip off of the ends of Up On High. He’s dug into a secret stash of country touches and folk flecks that coalesce into an album built on hurt, but also built to heal.

Themes of wanderlust, lost love and new beginnings have (rightly) earned the album comparisons to Tom Petty’s mid-life high water mark Wildflowers. Shades of R.E.M. jangle up and there’s a rootsy honesty that knocks at Crazy Horse’s door, but it’s Petty’s ode to the dissolution of routine that hangs its head over the album the heaviest. Cabic similarly seems to embody a sense of loss and loneliness and packs the record with an ideal of finding oneself beyond the horizon no matter how many times you have to cross it. The record is one of his best since 2009’s Tight Knit, reinvigorating Vetiver even while technically mellowing. The record is a comfort for the soul in troubled times, and honestly that’s something we could all use time and again.



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