Ghost Box can always be counted on to deliver something that’s both uniquely situated on the sonic spectrum and impeccably dressed from a design standpoint. Sebastian Counts’ debut for the label (following an interesting entry to their Other Voices singles series) is a doozy of an electronic playground. Toying with ideas of acoustic vs electronic, modernity vs folklore and wilderness vs civilization, the album posits field recorded samples into a buzzing, ramshackle wonderland of beats and bleeps. The album isn’t so much an echo of the souring vision of ‘folktronica’ as it is a Radiophonic studio gone to seed in the afternoon sun or perhaps an erector set left to trestle weeds and moss for all eternity.
Counts throws a ton of ideas into the pot, from clattering Raster Norton minimalism, to Scientist-styled dub and noise breaks that feel very akin to labelmate The Focus Group. That his Rube Goldberg triggered Speak n’ Spell rhythms end up lodged in your brain is a testament to the overarching complexity and talent of the author here. Its not just a hodgepodge of sound, but an electro-organic beast that’s constantly trying to win human approval – a Frankenstein’s Monster with a flower to share. Of course the whole set is dressed up in the unparalleled design of Julian House, echoing the record’s themes of city vs country. It’s seldom that the Ghost Box crew will steer ya wrong, and this is no exception. Come for the high-minded concepts, but stay for the oddly charming pop melodies bubbling long after the record clicks to a stop.
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