As with many, I might imagine, my introduction to The Wolfhounds came at the hand of the C86 compilation. Though the comp is rather cohesive in its rounding up of the UK janglepop picture at the time there are a few outliers that stick out simply because they’re not as gentle as the majority of the fodder on the fabled collection. Chief among these aberrations are Half Man Half Biscuit, The Shrubs and The Wolfhounds. The latter actually lands close to the scope of many of the band’s but there’s a danger present in their sound that begs closer inspection. The band followed their excellent ’86 material with the biting “Anti-Midas Touch” EP starting off a noise-pop journey that’s still going.
As could only be expected of a quality UK band, they were participants in John Peel Sessions, leaving behind four sessions worth of incredible performances that sound surprisingly smooth all lined up. Given that the band was torn apart and reformed a few times over the span of the sessions, that’s no small feat. The comp covers a lot of ground and is notable for stringing together quite a bit of non-album singles material, touching on cuts from the Me, Cruelty, and Happy Shopper 7″s. The band have always remained admirable for swaying from the easy road, they’d captured their jangly beginnings in Unseen Ripples from a Pebble and the subsequent singles but turned around and drove the noise to the forefront with Blown Away, which likely dropped a few fair weather fans. This comp, sitting in the context of their excellent catalog proves that, like their peers in The Fall, McCarthy and The Wedding Present, they were an essential band carving out their own unique take on England’s rose. This is an excellent primer for the unfamiliar and an essential pickup for the ardent fan.
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