The Radiation Flowers

Straddling the nebulous line between shoegaze and psych-pop, Saskatoon’s Radiation Flowers bathe in the warm amplifier glow of Spacemen 3 if they’d been playing split singles with Galaxie 500. Summer Loop, the band’s latest offering feels like it might stop vibrating about three minutes after the needle comes to a rest. The album is draped in a shimmer of lush production that sets Shelby Gaudet’s vocals in a languid landscape well suited to her dream-smeared delivery. They kick the switch nicely between gauzy float and a snakebite flash of fuzz that rears its head on heavier tracks, though, this is an album primarily about setting a narcotic mood. Far from an ardent dynamic shifter, Summer Loop is more concerned with laying the listener into froth than taking a good layer of skin off in the process.

The grooves stretch out, feeling around sonic fjords for hand holds in the rippling darkness, proving the band is more than just effects draped over drones. They make a case that they can hang with the Space-rock contingent on “Summer of Burnout,” a swirling instrumental that takes time to build out aural plateaus that run on par with some of this year’s other great psych records, including labelmates Mt. Mountain. Cardinal Fuzz has made its case as a well of psych inspiration and Radiation Flowers fit the bill nicely, up an comers with the right records on their shelves and some room to grow into themselves.


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