The Babe Rainbow

There’s something about Aussie band The Babe Rainbow that exudes a particular ease. From their countenance on down the band look and sound like they’ve never really had a bad day, or at least a day that they couldn’t turn around with a little surfing and barbecue. Those vibes permeate every inch of Today the band’s third, and most solid album. In the past they’ve embodied much of the same spirit, but the results have been hit or miss. They’ve wandered over the psych-pop map looking to pick at ‘60s sparkle, forest folk and lounge but the mixture was always just a touch wobbly. They came pretty close on last year’s Supermoon, an album that captured their wave of gauzy love but also took a few detours into spacey instrumentals that could meander the course of the record off track. The Babes hit on the head trip they were looking to spark but we sometimes got lost in the clouds along the way.

This time they tighten up the seams, still locked into the pocket of faded folk and grooved lounge psych, but playing up the pop half of their dynamic and fleshing it out with a West Coast downtempo spirit that belies their Aussie roots. The album seems like it might have taken a page out of the music direction for recent sleeper series Lodge 49 capturing it’s “melancholy on the bright side” ideals of aimless surf culture that the show distilled into something a bit more meaningful. Today embodies some of the same feelings — unscarred skies that stretch for miles, wonder and weirdness — given life through a constant roil of ‘60s strums and thickly plumed flutes. The band has been working to nail their niche and it seems that with this one they’ve finally begun to harden their grip on the board and ride right into the heart of the curl. The summer might be winding down for those of us up here, but this one still has a bit of solar bake to lay on the listener.






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