It’s been a hell of year for out of print Japanese psych classics. With Black Editions firing on all cylinders there’s plenty to love from the depths of the PSF empire but Aguirre’s creeping in with a classic of their own. The Belgian imprint has rounded up the cosmic float of Taj Mahal Travellers’ definitive album, August 1974, in all its double-wide glory. The band, known for their eclectic live performances and outdoor improvisations, took to the studios at Columbia Japan for four pieces stretched over four sides, each a deeper dive into electronic quaver, echoplexed violin, growled drones, and charring feedback. The record stands at the apex of Japanese improv and its tendrils wrap deep into the following decades’ younger players as one of the main influences of the new psychedelic front. Though it’s clear that the band had a heavy link to their German Progressive counterparts around the same time, effectively taking up the far east version of Kosmiche on this record, they give the proceedings a distinctly Japanese bent, taking what they’d acquired from a few EU tours and bending it to their will in the studio setting.
Aside from this record the only other official document from the band while active was July 15, 1972 a live recording from Sohgetsu Hall in Tokyo that got the official treatment as their debut. Following August 1974 the band would break ties, with most of the younger members dropping away from the scene and violinist Takehisa Kosugi continuing his journeys through experimental circles, even winding up with the Merce Cunningham Dance Company as musical director for a while. The spectral howl of the band’s heavy hitter rears its head as an influence in psychedelic circles to this day, so its great to have this back in an official capacity on the table. Highly recommended for fans from Ash Ra to Acid Mother’s and everything in between.
Support the artist. Buy it HERE