Posts Tagged ‘Will Sol’

Prana Crafter

If it wasn’t readily apparent from the sidelong strechout that populated his half of a split with Tarotplane last year, Will Sol’s music is made for grander statements than a compact runtime can accommodate. His latest LP pushes that boundary even further, nudging the scope from one side to two. Though it’s split into six parts, the tracks on MorphoMystic are essentially all part of one long piece. Still strolling the verdant gardens of ‘70s kosmiche and bending the will psych to the whims of prog, the new album truly enjoys the spectral build and release of his German predecessors.

Even when the tempo is slowed to a Cluster-crawl, the new Prana is percolating with a heart-flutter rhythm that’s humid and hungry, yet hunted and wounded — siphoning the cosmic impulses into a dark heart. This is a more furrowed and fraught side of Sol than I’ve heard before. He’s usually threading the gauze, letting his folk strings pull gently at his prog side, but here synths and ambience assert their dominance over the guitar for the most part.

He can still wring wrath from the six, but for the most part he’s embodying the Göttsching persona well while dipping into the works of fellow Ra member Schulze’s works for good measure. Creeping into view with a tempered step, he arcs MorphoMystic into a dizzying psychological thriller by the time “Chalice of the Fungal Sage” hits the speakers. Though if things end with blood and bone, they also end with a somber relief by the time we lie into the weary homecoming of “Starlight, Sing us A Lullaby.” Sol’s been working at body high hits for the last few years, but he’s besting himself yet again with this cohesive platter.




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Prana Crafter – “Rebirth In The Mosslands”

I’ve got a brand new one from Northwest psychedelic soaker Prana Crafter today and it’s just a small scrape of his upcoming release. Fresh off of two lengthy side-long splits with ragenap and Tarotplane, Will’s next release is essentially an album-long composition broken up into movements. The first section, “Rebirth In The Mosslands” walks in slow, with a touch of dread in its blood. Steady, progressive plucks give way to a Kosmiche grind that puts this squarely in the pocket of Popul Vuh fans. It’s the opening salvo to an album that tumbles through cosmic impulses — heady and nebulous — and acts as a proper continuation of what Sol was working on with his Symbiose split. There’s tension and trepidation at play here, and Sol wields both with a fine edge that never cuts too deep for discomfort. It’s been great to see him weave between psych folk and more atmospheric ephemera, as he lends a scholar’s ear to both genres. The record lands September 18th as a split release between Cardinal Fuzz and Feeding Tube and you’re gonna want to get a hold of this one.



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Prana Crafter

While there may be a lot going on (even while there’s nowhere to go) that’s no reason not to focus in on the head zone these days. In the midst of global pandemic, there’s been a wealth of new music from RSTB fave Prana Crafter — from tapes to streams, and it begs lower light and a deep dive into the embryonic abyss. First, as a part of an excellent drop of albums from Null Zone Tapes, which also included one from Rootless, Curanderos, and Khoutek, Will Sol inhabits the cosmic cloud on two sidelong tracks. The first cut nudges into Terry Riley territory – amorphous and numbing in a wonderful way before it begins to take shape from the dust with ripples and riffs that let the mind wander interdimensionally for at least a few minutes. As the listener is lead out of the stasis haze, Sol filters in a touch of organ and acoustic playing that brings us all back to our senses. The visions that floated to the surface during the sensory depravation of the first 10-12 minutes fade away, but footing is still a bit spongey at best. Things turn much darker on the second side, and a whole lot less serene.

With a riff that sounds like Sabbath, or Amon Düül II filtering over the hills (its hard to pin down through the tempest winds that seem to blow up), Sol begins a more scorched approach on “Eye Closed Inner Thunder.” The song quivers in an unseen gale, but it seems defiant in the face of nature — screaming into the void and lashing itself to the mast. The two pieces, while nothing alike in tone give the impression of two halves of a whole. The first is bliss, ignorant or otherwise, and overwhelming calm. The second is the voice inside that told you to panic and the rage that bubbles beneath the surface come calling for a visit. Though neither of those feeling overwhelm the second piece by the end. Sol tame the tempest with a flurry of acoustic strums that match up with some of his best.

If this hits you right and you’re in the mood for more Crafter then I’d recommend heading over to Youtube to check out a set Will did from home that lays out some new material — comprised of the bulk of a new album he’s working on for Cardinal Fuzz/Feeding Tube later in the year along with few embellishments. Definitely an engrossing 30-min set for any night you need to hit the zone. Side note on the Null Zone releases as well — all proceeds from digital sales for this album will be donated to the Garrie Vereen Memorial Emergency Relief Fund organized by Nuçi’s Space in Athens, GA. The set is pay as you wish, but keep that in mind as you checkout.





Support the artist. Buy it HERE.

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Prana Crafter’s Will Sol on Terry Riley, Don Cherry, Karl Berger ‎– Live In Köln 23.2.1975

Last year Prana Crafter’s Will Sol released two vital parch-folk LPs for Beyond Beyond is Beyond and Sunrise Ocean Bender, both showcasing his mossy, forest-folk prowess mixed with a tenancy to scratch that wooded habit with the key to the cosmos. He’s pushed the cosmic tendencies even further this year with a split with Tarotplane that uses one side of a 12” to wind his folk into kosmiche delights. It seemed only natural, then to ask Will to contribute a pick to the Hidden Gems series and see what’s driven his sound. Will’s picked a ’75 collaboration from Terry Riley and Don Cherry that picks at a peirod that pushed both artists catalogs to in new and interesting directions. Check out how this came into Will’s live and what impact it’s had on his music.

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