Posts Tagged ‘Vintage Crop’

Vintage Crop

No secret around here that I have a penchant for Aussie punk, and some of the best singles banging out these days come not from Melbourne or Brisbane, but from Geelong via Vintage Crop. The band’s bit hard on the live socket swagger of Wire, The Fall, and other such ‘70s spitters with jagged leads and caustic choruses. The record swings from pit-sweat thrummers to the kind of writhing, coiled killers that have made the band such an endearing presence the last couple of years. Serve To Serve Again was recorded with Mikey Young and there’s certainly a reverence for Young’s own ECSR legacy in the mix. With Young at the boards VC are accentuating the spring-loaded attack and brittle ends that have let punk and post-punk copulate in the current Aussie environment to create a sickened and swinging brand of propulsive punk that won’t be pinned to the floor.

Bass lines bulge at the seams, barely fitting into their niche, guitars scorch, slash, dart, and dodge the microphones and atop the glorious din Jack Cherry lays into the louche life with a sneer that can be felt through the wobble of the speakers. Unfurled late-stage capitalism, wage slave doldrums, and the festering tension of a generation left in the lurch all leak into the lyrics. The band wraps Jack’s invective around their supple songwriting, mulling the bile before letting it loose into the water supply. Vintage Crop have been hammering out squirm-inducing sonics for the past few years, but with Serve To Serve Again I do believe they’re peaking.




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Vintage Crop – “The North”

A second bent and bulging single from Aussies Vintage Crop comes with an austere Video in tow. “The North” is built on the same bulbous basslines that pushed the band’s previous cut, but there’s a dash of New Wave keys splashed on top as well that add an infectious itch. That said, this song is driven by the guitar/bass battle for which is gonna gum the most gristle. The tones are thick and satisfying and the band proves that they’ve got post-punk nailed to the door with every note. There’s not a miss on their upcoming album, but this is a prime example of the band at their peak. The record arrives August 7th as a split release between Upset The Rhythm and Anti-Fade.



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Vintage Crop – “Gridlock”

Brand new ripper today from Aussies Vintage Crop. The band’s been issuing records up to this point on Aussie Indies Weather Vane and Anti-Fade, but while they remain on the latter at home, they make a jump internationally to Upset The Rhythm for their latest, Serve To Serve Again. ‘Gridlock’ is indicative of the band’s tightly coiled punk — muscular, slightly paranoid, and pulsing with an energy that’s hard to ignore. The song’s full of frustration, and its grit-teethed delivery is a bit cathartic in weary weather. Jack from VC provides a bit of backstory, including the note that the song was inspired by actual traffic, though the feeling pours over into areas of stagnation in life elsewhere for sure.

“The title for the song came first;” he notes, “stuck in traffic and running late to a gig a few years ago. We laughed at the name and threw it onto a few different songs before it stuck, after Tyson finally penned the lyrics. Thematically, ‘Gridlock’ is frustrated, pushy & stressed, which are emotions that we felt that day when we were stuck in traffic. It’s one of the first songs we finished for Serve to Serve Again and is a perfect example of the band’s songwriting. It’s got everything that we do – unbalanced riff-work, tight drumming & sharp lyrics.” The LP is out August 7th on Upset The Rhythm / Anti-Fade.




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Dragnet – “Man About Town”

Another hard-hitting punk nug from Australia, this time pulling together forces from several RSTB faves. Dragnet’s debut cassette dips into the boiled and buckled pool of fried-nerve punks rounding out time in Jarrow, Vintage Crop, The Floaties & House Deposit. Vintage Crop’s Jack Cherry lends his nasal pipes to the mix, throwing the songs in his bent tin turbine until they come out almost as freaked-out and fraught as the last couple of drops from the Crop themselves. “Man About Town” blows out the door with a sweaty signature before dropping down into a wrecked and unspooling midsection. The band plays at skirting the rails perfectly, always seeming like they’ll just tumble if they stop, so they go faster with a wildly confident gleam in their eyes that says they’re more than serious about skidding through the stops and letting luck keep ‘em from getting crushed by oncoming traffic. The tape’s gonna be a hard one to come by (50 copies) so swipe them quick or pick up that digital if you’re overseas. Anything coming out of the collective camp of these folks is damn well worth putting down the dollars.




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Mixtape: This Is Aus

Ok please allow one more year-end indulgence here in the form of a recap mixtape. It should no longer be a surprise that I have a sweet spot for Aussie indie, and as the genre has made up so much of the site’s direction in the last year, I’ve decided to round up some of my favorites into a massive mixtape that should keep you busy for a few hours and serve as a primer to those looking to break the seal on their Aussie pop habit. Plenty of usual suspects arise in the label department here with representation from RSTB favorites Bedroom Suck, Anti-Fade, Lost and Lonesome, Poison City, Hobbies Galore, Milk! Records, Flightless, and Tenth Court alongside internationally friendly harbors like Trouble in Mind, Upset The Rhythm, Share It, Kanine, and Emotional Response. There were plenty of offerings to love this year from the South Hemi, so get cracking on that listen. Click below for tracklist and stream.

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New Centre of the Universe, Vol 3

While compilations are sometimes spotty at best and label samplers often just cull up material that’s already worked its way through previous pressings and releases, Aussie label Anti-Fade has had a serious run with their New Centre of the Universe series. The first couple found their way to small press cassettes and rounded up unique tracks from King Gizzard, UV Race, Dick Diver, Chook Race, Living Eyes, Hierophants, Ausmuteants, Super Wild Horses and more. Their newest comp expands its scope and makes the move from spools to wax, topping out the LP at seventeen tracks worth of some AF staples, solidified jangle-pop stalwarts and newcomers with great promise.

Packed in the grooves is new fodder from good ol’ Anti-Fade faves like Parsnip, Alex Macfarlane and Vintage Crop, along with new material from South Hemi dusters like Terry, The Stroppies, School Damage, and Exek. But the release is not content to simply lean on the old, familiar names. “Sky High” from Traffik Island is a jangled gem. Geelong’s Gonzo bring the caustic crust and hometown vibes to the label. Billdozer brings some thick riffs and fire fuzz. It’s as accurate a barometer of burgeoning sounds from across the continent as your likely to hear in one place this year. Anti-Fade has long been a favorite label around here and this collection only proves that they’re still kicking through the right dust to find the new sounds.




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Vintage Crop

Aussie punks Vintage Crop have managed to embrace the same sinewy, elastic brand of rock that endeared their countrymen Eddy Current Suppression Ring to fans the world over. Their first LP for the strikingly consistent Anti-Fade Recs crackles with a sweaty, twitchy, inherently muscular brand of punk that’s aesthetically bumping up against the signposts of post-punk, making this one straddle eras of influence with a vital electricity. They’re still cracking the whip as far as energy, but there’s a supple twang to the guitars here and they weld that to the trampoline bounce of bass and gnashed-teeth gang vocals that feel ripe for the pit.

The record, as with their previous tape, gets some shaping from label-head Billy Gardner (see also: The Living Eyes, Ausmuteants) and official Aussie-quality mastering house Mikey Young. The album bumps elbows and jostles heavily against the more laconic trends down in the South-Hemi way these days, replacing tales of couch life and dead-end jobs with nervy tin-hat assertions about flying saucers and altered reality. Though they do get a good shot in about being too lazy to clean up after themselves (on title track “New Age”), they just give it a jolt of twitchy joints by running the slacker-pop sensibilities through a Mark E. Smith filter.

The record pushes the impulses that pounded out their previous tape to their logical ends, feeling all the more vital and for the extra angles and Mapplethorpe lighting they’ve splashed over the top of New Age. The record feels like the start of something great for the Geelong boys. Hopefully they’ll keep pushing the boundaries further towards post-punk’s creep. Either that or they’ll leave an excellent watershed for us to all to enjoy on its own merits.




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Vintage Crop – “Gerald Part 2”

Feel like I’m leaning hard on Anti-Fade lately, but I’ll be damned if they aren’t kicking out some choice gems from their stable of upcoming cuts for 2018. Vintage Crop, like labelmates Civic, are full of brutal punk slap, but they knot it up with the kind of muscular precision that made Eddy Current Suppression Ring perennial favorites here, and well, everywhere. “Gerald Part 2” sweats it out with the best South-hemi stranglers but veers to the frantically weird, which is always something I’ve found heartening about bands hanging in Ausmuteants’ orbit (the band’s Billy Gardner produces). Gonna want to keep the ears peeled for this one when it hits in April. Maybe stash away some lunch money until then to put this one on the table proper.




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