Posts Tagged ‘Unrock’

Karkhana

The arms of Karkhana spread wide and embrace rivulets of noise, experimental eddies, psychedelic jazz, and raga rotations. The band pulls in players from Beirut, Cairo, and Istanbul alongside Montreal’s Sam Shalabai (Land of Kush, Mosasses, Shalabi Effect) for a sound that’s decidedly progressive while adhering to a traditional core of Middle Eastern tones that mesmerize and massage the soul. The overlap with fellow Unrock outfit The Dwarfs of East Agouza is apparent both in the band’s membership and approach. Like The Dwarfs, Karkhana tumbles down darkened alleys of rhythm and sound – polyrhythmic textures and lightning sharp strums dart from all directions. Underneath the group threads sine wave warbles that give off the impression that the songs are being broadcast through dodgy UHF streams, picking up interference from unknown or unwanted sources seeking to dampen their bootleg bounty of musical shred.

Bitter Balls is only the band’s second true album, but they’ve shared sides with Sir Richard Bisiop & David Oliphant and cut a few EPs and live documents that hardly make this indicative of a mere second outing. The band feel well oiled and locked at an instinct level with each other’s improvisations. The noise rolls seamlessly into groove out of nowhere, then dissolves into gnarled wire workings once again, leaving the listener never able to rest their reflexes. Who wants that kind of listen anyway, not when Salabai, Louca, and their cohorts can reform the rarefied air into something sour and sensuous all at once. It’s a prickly record, but one that should interest quite a few who find solace at this site.



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Sir Richard Bishop & Ed Yazijian

There are always currents quietly bubbling under the collective consciousness – tributaries of sound that go largely unnoticed by a buying public, but for those who are tapped to the right frequencies they are as vital as any. One such current happens to be Unrock’s collaborative 12”s with the brothers Bishop. Dubbed the Saraswati Series, the collection is one that should not be overlooked, despite its low media profile. The ex-Sun City Girls have been working with a plethora of talented musicians, splitting sides and collaborating to create new worlds of acoustic and experimental stringwork. Alan has appeared under his Dwarfs of East Agouza banner, hooking up with Maurice Louca (Karkhana)  & Sam Shalabi (Land of Kush, Karkhana). Richard, meanwhile has collaborated with W. David Oliphant (Maybe Mental) and the series has split sides with Chris Corsano & Bill Orcutt and Karkhana with Nadah El Shazly. No entry has been less than a whirlwind of stings and sound that dazzles with a technical prowess that’s only supplanted by entrancing melodies and thrumming harmonics.

All of this preamble brings us to the latest entry in the series which sees Richard connecting with Cul De Sac’s Ed Yazijian for collaborative pieces laced with guitar, lapsteel, tenor guitar, piano and traditional Indian instrumentation. The three untitled pieces buzz and ramble, scrape through the ceiling of nighttime temperament and bed down in a glow of ethereal beauty. The two play off of one another as a seamless soul, insistent in their approach to touching the nocturne node and setting off a thick fog of permanent midnight doused in cold humidity. The air around this record seems so still that it might shatter like thin frost on tree branches (cold despite its Indian bent). The record revels in intricate arcana that seems forever out of reach. The whole series is beguiling, but this remains the pinnacle of Saraswati so far. Fans of SRB know what to do. Get into this as soon as possible and let it wash over you regularly.



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