Posts Tagged ‘Trummors’

Favorite Albums of 2020

Here’s the year end list. I’m not gonna wax on about how this year was rough, we all know it was a shit year and even more so for artists. It was, however, a great year for recorded music, and I had a hard time not making this list about twice as long to show love for all the albums that lifted me this year. I’ve long been against the whole idea of numbered lists, so once again things are presented in quasi-alphabetical style (I always mess one or two up in creating this, but you get the point). I’ve included Bandcamp embeds where they exist, so if you have the means and find something new, please reach out and support the artists here. Looking forward to 2021 as another year that music makes getting through easier.

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Mixtape: Goodwill Cowboys Ride Again

At the end of last year I put together a mixtape that shifted the focus of the series from more archival offerings to something that wrapped up newer artists. Some Cowboy You Turned Out To Be took a look at a new wave if indie, alt, and cosmic country and now I’m offering up a sequel that expands the spectrum, reaching back a couple of years to nab some I’ve missed and including a crush of new songs that have found their way out in the last year. The wave of Cosmic Americana is still going strong and there are a lot of new names here and even a couple that cropped up on Cowboy that have already let new gems out in to the air. The last time the mix had a bit of a heavy heart, but there’s a bit more jubilance this time around. Continuing with the cowboy theme, I’ve nabbed a bit of phrasing from Michael Chapman for this mix.Check out the trackless and stream below.

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Trummors

Over the course of their last few albums, Trummors, the duo of David Lerner and Anne Cunningham have carved out their personal cavern in the space of Cosmic Americana, well before the current wave began to crest. The pair ditched the East Coast for New Mexico, trading packed streets for pure air, vista views, and a closer handle on the alt-country confines they were beginning to inhabit. With their previous album Headlands they’d pretty much cemented the sound that crops up here, but there’s something alchemical about Dropout City that marks it among their best endeavors to date. The band struck out from the desert back to the sweltering streets of L.A. for the sessions that would birth Drop Out City and it was as far from their secluded surroundings as possible, embracing an air of collaboration that called in contemporaries to help shape the easy air that radiates around the album.

Once in the studio friends showed up and sat in, with the album blossoming into the kind of communal, comfortable ‘70s canyon classics that were spun out of late night sessions wrought from a high concentration of talent with tape to spare. Colby Buddelmeyer (The Tyde), Derek W. James (Mazzy Star, Lia Ices), Brent Rademaker (GospelbeacH, Beachwood Sparks), Clay Finch (Mapache), Dan Horne (Grateful Shred, Cass McCombs) and Eric D. Johnson (Fruit Bats) all lend a hand somewhere on Drop Out City and it quickly becomes clear that this is a record that’s special because of not only the talent of Lerner and Cunningham as songwriters, but also due to the inclusive environment they carry with them that brings so many into their fold with such open ideas.

The record captures a classic country sound — flirting with the heavy-hearted, but formative voices that lent credence to the ‘70s crossover out of psychedelic troupes. There’s a shade of Emmylou here, and by turns Graham. The honesty that surges between David and Anne is born out of that school of tradition meets turmoil and even though they seem at ease, it’s as deeply felt as anything the fabled pair might have made. Even more so, there’s the feeling that Trummors are leeching their love of the country corners to their peers, the way Parsons couldn’t help but make but instill a passion for twang among his brother Byrds. As David has already shared here, bands like Cowboy, circling the Allmans stable are heavy on their mind and that Byrds connection gets deeper with a cover of “Tulsa County.” The Byrds lifted their version from songwriter Pamela Polland, who released solo works in the early ‘70s following her work with The Gentle Soul. This song is almost a talisman of the album, a reclaimed nugget of weary country given back its voice after years of sitting among a more celebrated band’s back catalog. Drop Out City is just such a record — reverent, relevant, and full of a bittersweet bite that makes moments easier to endure with each note that wafts from the speakers. This one should shuttle to the top of your 2020 necessities.




Support the artist. Buy it HERE.

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David Lerner of Trummors on Cowboy – Reach For The Sky

I’ve been particularly excited for the upcoming Trummors LP, Dropout City. The LP sees David Lerner and Anne Cunningham perfecting their wide-skied country-folk approach with an album that’s sunburned and bittersweet. The album slides in on buttery leads, breezy harmonies, and a sense of ease that’s hard to resist. The band’s been building up to a record that sounds this effortless and lived-in over the past few years, but it’s hard to deny that this is a high-water mark for their brand of alt-country saunter. I asked David to lock in a pick for the Hidden Gems series and it sidles in nicely alongside their new LP. I love it when artists pick an album I’m unfamiliar with, but his one’s gonna be an album to get acquainted with pretty quick. Check out Lerner’s take on Cowboy’s 1970 debut below.

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Trummors – “Late Arriver”

If, after the last slip out of the Trummors camp, you still needed some inspiration to get this on your watchlist, the band cinches the necessity with “Late Arriver.” The second single off of the album is combed back further in a honeyed twang, playing up the country comfort of the duo’s latest album. Harmonies entwine from Anne and David, giving this a nod to Richard and Linda Thompson if they’d been collaborating heavily with New Riders at any point in their career. The strums are wide and winding on this one and the pedal steel is tinged with sunset colors that paint the desert surroundings in which they find themselves ensconced. The record is out August 21st from Ernest Jenning Record Co.


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Trummors – “Silver City Blues”

A sun-streaked new track slips out today in advance of the new Trummors LP, Dropout City on Ernest Jenning Record Co. The song is a faded-denim dose of cosmic country that ambles in on auburn strums and swooning harmonies. David Lerner and Ann Cunningham left the city steel for New Mexico’s grand expanses a few years back and the desert dust makes its presence felt on the low-light simmer of “Silver City Blues.” The song slides in on buttery leads, breezy harmonies, and a sense of ease that’s hard to resist. The band’s been building up to a release that sounds this effortless and lived-in over the past few years, but it’s hard to deny that this is a high-water mark for their brand of alt-country saunter. Keep an ear out for more from Dropout City as this is only a taste of what the band’s put together for 2020. Move it to the top of the watchlist.




Support the artist. Buy it HERE.

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