With the new Lavender Flu LP now locked on the table, the band moves from their hunker-down home recorders to a proper studio, and while the fidelity cops less crackle, their gutpunch rock still remains. They exorcised the bulk of the noise in their heads with last year’s imrov jammer Admiration for A Dancer. Now, they’re following the scuzz laylines that were unearthed on Mow The Glass and this next chapter’s just as sunk in glorious muck. No surprise that Gunn had some noise shivers to shake out, with a past spent in The Hospitals, the sounds in Lavender Flu are practically radio pop by comparison. Yet, like Philly’s feedback chewers Purling Hiss, he’s taken the project from low-fi amp burning habitats to cleaner confines without losing that spark that set it alight in the first place.
The record even contains what might amount to The Flu’s most tender moment on “No One Remembers Your Name.” The standout acts as an oasis of ache within the confines of Barbarian Dust, dredging up some nice Johnny Thunders moments of quiet desperation. The rest of the record isn’t quite the calm respite that this presents, with the band riding thick fuzz riffs and the curdled comfort of hooks that owe more to New Zealand pop by way of the volume punish pulse of Afflicted Man and Volcano Sun than they do to any modern sunny day strums. Gunn and co. slide through the motor oil VapoRub vibes of the record before finally descednding into darkness. Then, after the comedown dirge of “In League With Satan,” the band caps the whole record with a bit of the crusted Cakekitchen-like jangles that cropped up on Mow The Grass. This is definitely the clearest vision of the band.
Support the artist. Buy it HERE.