Posts Tagged ‘Temporary Residence LTD.’

Saariselka

The debut collaboration between Marielle V Jakobsons and Chuck Johnson wafts in on waves of country ambiance. Over layers of nebulous, enveloping tones Chuck Johnson’s slide guitar pulses through like a beacon. His auburn tones navigate the environments that Jakobsons creates with a steadfast resolve, giving us some hope of not becoming lost in the shadows and shade that his partner seems to conjure out of thin air. Jakobsons has long been creating landscapes that seem built from vapor and vision – operating under her own name and prior to that as Date Palms. Those records are all monuments to ambient light on their own, but with Johnson she seems to have created something majestic by even her standards.

There’s been a tendency of late, when creating works that skew towards the ambient, post-classical, and instrumentally exploratory, to inject a sense of anxiety and dread into the record. I suppose it’s a reflection of the time the records are being made in. It’s hard not to feel the erosion of truth next to the erosion of land itself in in the tenor of the notes in many contemporary works, but there’s another feeling in Saariselka’s The Ground Our Sky — equilibrium. The record is at peace, not complacent, but enlightened. As the listener navigates the bucolic, yet bewildering landscapes of their record there’s a sense of ease that sweeps over the record. When Johnson’s amber light shines a path towards Jakobson’s vocals (seldom as they appear) she seems to float above swaddled in light and love, wiping away all the tension that laps at our everyday experiences. This is Cosmic Americana stripped to its core, set float and let everything beneath your feet crumble away for another time.



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Saariselka – “Into The Wind”

Temp Res debuts a new collaboration between guitarist Chuck Johnson and composer Marielle Jakobsons and it’s the sparse, mossy valley western you’ve been looking for this whole year. Jakobsons had an excellent solo release on Thrill Jockey back in 2016 that was boiled in cosmic wonder and ethereal synth, and prior to that she’d been the primary force behind Date Palms, long a favorite around here with their own high plains ache. Johnson’s works on guitar have knotted outposts from Three Lobed, Scissor Tail, Strange Attractors, and Trouble in Mind. Here the pair leverage their respective strengths, washing Jakobsons’ synths in amber strokes of slide guitar, yawning the track out with a mournful grace. Marielle’s vocals complete the track, haunting “Into the Wind” with an almost overwhelming sadness, lost in their own sense of sorrow and rebirth. The album is out October 18th on Temporary Residence, LTD. Anticipation is high.



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Tangents

This one had me at the connection to Triosk, Aussie post-rock from back on the Leaf label that always used to make me smile. Ex-member Adrian Lim-Klumpes is on board here along with a host of other post-everything players who know that a good skittering beat and mash of jazz, electronic and folk can still nail down some import even past the meteoric rise of that ethos around the early aughts. Stateless embodies its title. It doesn’t seem to have a full allegiance to any of its disparate parts, but they come together nicely to provide an instrumental electronic album that’s got a nice sense of movement an that indebtedness to jazz that sticks just right. It always feels good in post-rock when that jazz element is just bubbling below the surface and not swinging wildly at the face. In that respect, the band’s been looser in the past, moving into a studio setup here, they feel buttoned down but not overly burdened by planning. This is one of those albums that’s great for getting shit done, its an active background, and honestly I mean that probably more complimentary that it sounds.

Sure you could crank the stereo and listen to Stateless in rapt attention, and maybe there are those that will, but this is the kind of album that headphones were made for; headphones meant to be taken out into the world. Its a blanket to wrap around the movement of others and a bed for thought. Personally, I’ve always appreciated an album like that. We all want someone to notice our nuances, but I’d say that its just as high praise to let others block out the noise and move brain cells in the right direction.



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