Posts Tagged ‘Tasmania’

Chloe Alison Escott – “Back Behind The Eyes Again”

The last time I had mention of Chloe Alison Escott, it was with an entry to Chapter Music’s healing Midnight Meditations compilation. The song was a far cry from Chloe’s work with The Native Cats. While the spare delivery remained, she’d traded propulsive post-punk for a midnight sigh of piano. There was mention of a full album in the same light and now further pieces of that album, Stars Under Contract fall into place. “Back Behind The Eyes” is just as worn, weary, and smudged with rain as her last single and it precedes an album of worn resolve, self-acceptance, and growing into the person you’re trying to be as an adult.

While it seems this one has been bubbling under the skin — a part of Escott’s live repertoire in flux for several years — the feelings finally fit into the emotional puzzle that’s laid out on Stars Under Contract. Escott mentions “I wrote “Back Behind the Eyes Again” 12 years ago. Sometimes it takes a while for me to get around to recording a song, and the lyric and the structure will evolve over that time; in this song I changed one word (“another” to “better”) and it’s otherwise exactly as I played it at shows in my 20s. It’s about drifting in and out of yourself, and about dramatising life with music.”

While the nervous energy of The Cats has been burnt off of these songs, the scars that Chloe brings to light are still there, acting as a thread tying the new album to her past. The song seems like a moment of healing, a reminder not to pick at the wounds, but to be mindful of them to let them heal. The album is out October 16th from Chapter Music.




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Chloe Alison Escott – “Stranger Than Death”

Been a fan over here of Tasmania’s Native Cats for a bit, so anything out of that camp is always highly anticipated. News came down earlier this month about Chapter Music’s upcoming compilation Midnight Meditations, designed to help listeners through long dark nights of the soul. The comp focuses on the downbeat visions of artists with a goal of providing some comfort during troubled days and nights, and this latest addition cinches its necessity. Typically Native Cats have found their niche in abrasive post-punk, so its interesting to hear another side of Chloe’s output here. Gone are the insistent rhythms and thickly muscled bass of the Cats and in place is a rainy afternoon course of quiet contemplation. Just Chloe and a piano, the track leaves little room to hide. Its a spare, open, and raw track that never hides its hurt. This song falls more in line with Chloe’s solo work and is in fact a nice precursor to an upcoming solo LP, Stars Under Contract due on Chapter later in the year.

Giving some context to the song, Escott explains, “I started writing this song when I saw heavy rain evaporating instantly on halogen lights along the Hobart Rivulet, and the rest of the lyric rolled out from there. Most of all it’s about gender transition – there’s even a quick reference to an infamous, long-discredited online test for transsexuality – but if you want to interpret it as a prediction of pandemic isolation life I won’t stand in your way.” The comp is due out this Friday, July 3rd, and features several Chapter alum/adjacent offerings from The Green Child (feat Mikey Young from Total Control and Raven Mahon from Grass Widow), Sarah Mary Chadwick, Dick Diver’s Rupert Edwards, Alex Macfarlane of Twerps/The Stevens, and Chapter’s own Guy Blackman.



Support the artists. Buy it HERE.

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