Posts Tagged ‘Taiwan Housing Project’

Taiwan Housing Project

From its very first beat, the latest LP from Philly’s Taiwan Housing Project is brutal in its sonic assault. Shredding the crumpled remains of No Wave and noise and kicking them wildly around the room, Sub-Language Trust is every bit the equal of the band’s ferocious debut from 2017. Front and center, and impossible to ignore are the air-raid riot vocals from Kilynn Lunsford. She bends phrases until they break, growls from the very sinews of her form, and generally becomes the human embodiment of catharsis. Shit, that’s just track one. She, along with ex-Harry Pussy string-wringer Mark Feehan also manage to sledgehammer their acerbic noise into some rather memorable hooks over the course of the next thirty minutes. Mind you, Taiwan Housing Project don’t mold and press their hooks in forms that gently nod the head and leave you with a vacant smile. No, THP’s brand of hooks siphon the screws from your home, knock down the walls and leave a smoking wreckage of barbed noise-pop smoldering in your lap.

All the better, though, as the band purports on “Buy Buy Buy,” the beige existence you so secretly covet needs a good kick in the clavicle. So, the band extols a new brand of mall pop, one that might incite a little loose looting, one that might turn the screws on the saps in the second floor salon until they exfoliate more than the first or second layer of deadened nerves. The band uses any edge at their disposal to draw blood — bent scraps of guitar meant to lacerate and leave ‘em wanting a second slice, sax-scratch that boils the veneer off your precious ear drums, and a wild tangle of percussion that inspires all manner of disjointed dance. It’s a damn good year for music in 2019, but not a damn soul so far has managed wield the maniacal force that Taiwan Housing Project channels straight to the dopamine depths of your broken mind. The record is an absolute killer and an easy contender for one of 2019’s best slabs to hit the turntable.



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Taiwan Housing Project – “Toxic Garbage People”

If you missed out on Taiwan Housing Project’s KRS debut in 2017 then you’re probably not ready for their next slice of noise heaven, but you might as well buckle up and brace anyhow. The band picks up where they dropped the din prior, with singer/guitarist Kilynn Lunsford’s strychnine-laced vocals acting as the centerpiece as she thrashes, lashes, and howls herself hoarse for our benefit on “Toxic Garbage People. The song is propulsive and primed, set to blow at any minute, and that volatile nature gives the band their draw. Lunsford’s previous band, Little Claw, will remain a forever favorite around here, but she’s no less vital and vicious at the helm of THP. The new album, Sub-Language Trustees lands June 21st from NYC’s Ever/Never and it should find its way onto your ‘need’ pile based on this song alone. 2019 has been a good year for music, but it needed a little push towards bile-soaked brilliance.


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Writhing Squares

The second slab from Philly’s Writhing Squares brings no disappointment, slump or stumble. The band is as restless and as ragged as ever on the new LP. Built from the embers of space rock and punk while chasing the same fevered hallucinations that haunted the ‘70s German Progressive set, Out Of The Ether imagines a less meditative method than the rhythmic wranglers that came before them. Storming through the halls of Hawkwind’s leather n’ lather vibes with whiffs of Amon Düül II piped in one speaker and The Contortions piped in the other, Writhing Squares aren’t here to get Kosmiche. Far from it in fact – they’re here to demand the cosmos pay up in sweat equity and they’re willing to rough up some rhythms to get their psychedelic due.

That the two halves of Writhing Squares come from a couple of Raven’s favored noiseniks is no surprise – the common ground between early Purling Hiss and Taiwan Housing Project is abundantly clear and goes a long way to explain the impulses at work on Out of the Ether. There’s an overt sinister quality to the record, rotted and raw. Writhing Squares conjure the sounds of nightclub sweat at the end of humanity’s rope. Post-societal collapse there’s no hedonistic joy, only the night terror taps of the band’s inhuman drums, the barbed wire gnash of vocal invective and the rusted saw of a salvaged sax beat into the shape of a call to arms. Provenzano and Nickles thread their wounds with bailing twine through the first half of the record, then smash the fourth wall to ecstasy with the side-long crusher “A Whole New Jupiter.”

While 2019 makes its play as a year that could use a record or two to salve our collective wounds, Writhing Squares make a damn fine argument to cut a few fresh ones first. There’s still work to be done. Stay agitated. Philly’s finest have your back.



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RSTB Best of 2017

So this year is drawing to a close, or almost, we’re still a few weeks away from pushing the broken pieces of 2017 into the trash. There’s no real solace from a lot of the events that took place this year, but, independent of any current events, music has been kind to us all this year. These are the records that spent the most time on the turntable over here. Yeah, I know its kind of a lot, but there were far too many good ones that haven’t been getting the shouts they need elsewhere. Lets say this serves as both a best of and a most overlooked in one go. If you enjoy ’em, buy ’em if you can. Don’t do them the disservice of just bumping up the streaming numbers.

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