From its very first beat, the latest LP from Philly’s Taiwan Housing Project is brutal in its sonic assault. Shredding the crumpled remains of No Wave and noise and kicking them wildly around the room, Sub-Language Trust is every bit the equal of the band’s ferocious debut from 2017. Front and center, and impossible to ignore are the air-raid riot vocals from Kilynn Lunsford. She bends phrases until they break, growls from the very sinews of her form, and generally becomes the human embodiment of catharsis. Shit, that’s just track one. She, along with ex-Harry Pussy string-wringer Mark Feehan also manage to sledgehammer their acerbic noise into some rather memorable hooks over the course of the next thirty minutes. Mind you, Taiwan Housing Project don’t mold and press their hooks in forms that gently nod the head and leave you with a vacant smile. No, THP’s brand of hooks siphon the screws from your home, knock down the walls and leave a smoking wreckage of barbed noise-pop smoldering in your lap.
All the better, though, as the band purports on “Buy Buy Buy,” the beige existence you so secretly covet needs a good kick in the clavicle. So, the band extols a new brand of mall pop, one that might incite a little loose looting, one that might turn the screws on the saps in the second floor salon until they exfoliate more than the first or second layer of deadened nerves. The band uses any edge at their disposal to draw blood — bent scraps of guitar meant to lacerate and leave ‘em wanting a second slice, sax-scratch that boils the veneer off your precious ear drums, and a wild tangle of percussion that inspires all manner of disjointed dance. It’s a damn good year for music in 2019, but not a damn soul so far has managed wield the maniacal force that Taiwan Housing Project channels straight to the dopamine depths of your broken mind. The record is an absolute killer and an easy contender for one of 2019’s best slabs to hit the turntable.
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