Posts Tagged ‘Sleeper and Snake’

Amy Hill on Pink Flamingos – We Never Close

Amy Hill has been a regular around here, having been RSTB faves Terry, Primo!, and Constant Mongrel. She’s got another record on the way with Al Montfort as the hard to pin down Sleeper & Snake. The band’s sounds are rooted in synth pop, but they incorporate a clash of jangles, muffled and delirious horns for a haunted edge to their songwriting. Its a post-punk record in the truest sense, feeling through the disparate waters for sounds that might compliment each other and just as often, shake the listener off balance. I’d talked with Amy after the last Primo! record, which was a fave but fates aligned for her to be able to contribute a pick to the Hidden Gems series this time around. Figuring with all the influences in her collective work some post-punk treasure might arise, but I love that this column always keeps me on my toes. Check out Amy’s pick — the Kiwi pub rock curio from The Pink Flamingos below.

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Sleeper & Snake – “Shoot Through”

Getting closer to the release of the sophomore LP from Sleeper & Snake. The project, which pairs Amy Hill (Primo, Terry) with Al Montfort (Total Control, Dick Diver, Terry) for a slinking, pop prod through uneasy pop waters. The latest single drapes itself over the listener, maybe a bit too close. It’s off balance, woozy, and wobbling in the way a friend might after one glass of wine too many. The metronomic beat persists, but the sway of strums and muffled sax give it a cottonmouth pop quality that’s ultimately endearing, as is the rest of the band’s upcoming LP for Upset The Rhythm. Fresco Shed is out October 23rd.

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Sleeper & Snake

With Amy Hill and Al Montfort on the marquee it seems as if their duo Sleeper & Snake should pound out a post-punk tattoo that’s built off of their jangle and jitter with Terry, Dick Diver, and Primo. As with their previous album however, which slunk out into the night last year, the new sounds from S&S are more of a noir dream half remembered through the cracks in the coffin of sleep. The pace crawls as Montfort and Hill sing heat-warbled harmony. Cello saws above a soft snap of drums before a bleat of sax cuts the song into chunks that don’t quite fit into any discernible crate. Unease curdles all around “Flats Falling,” like a nagging memory that won’t resolve or one that’s been pushed to the back of the mind and won’t stay put. Its an itch that refuses to be scratched. Montfort gives a bit of context to the song here as well noting, “Flats Falling is about corrupt, deregulated development in Australian cities producing shoddy housing options. These “investments” are fueled by gentrification and displacement, and they just fall apart. Realestate.com basically, don’t forget it’s all on stolen land in the first place.”

I dunno, living over here in a country disassembled by a real estate con artist and a few hundred or so profiteers, it all sounds a little far-fetched to me, eh? The forthcoming Fresco Shed is out in September from Upset The Rhythm and LuLu.



Support the artist. Buy it HERE.

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