Posts Tagged ‘Shana Cleveland’

Mixtape: Night Sweats

This one’s been bubbling under for a little while. Inspired by humid nights — whether the cold, clammy airs of spring or the stifling swelter of summer, this is for the insomniacs in the crowd. It’s one part flute psych wormhole to oblivion and another part 3 AM anxiety dream – equally indebted to magical realism, the hallucinogenic fabric between episodes of Lodge 49, pandemic isolation depression, the elusive ache of alchemy, and the healing lure of meditative headspace. Time has shifted and this mix attempts to help adjust the listener to the motion sickness that ensues.

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Best of 2019 (so far)

It’s been a hell of a year so far and now it’s time to run down the albums that have stuck around the turntable the longest. For all the fraught emotions and everyday injustices, there’s still some bright spot of solace in music. That’s not a trade-off, but its something to keep you going. As usual, these are the best records that filter through the Raven aesthetic. I’ll be off next week on vacation so this 30-spot plus the ensuing two and a half hour mix will have to hold you for a week. Gonna take a break until the 2nd week of July. The second half of the year already has a few front runners, so enjoy these gems before the tail end of 2019 comes running atcha.

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Shana Cleveland

An integral part of La Luz’ sound for the past few years, guitarist Shana Cleveland proves her solo vision to be just as potent. Shirking off the shell of the “band,” Shana Cleveland and the Sandcastles, that she’d used last time she struck out on her own, Night of the Worm Moon burrows far further into the darker recesses of pop’s hold on the mind. Elements of surf still infect her songwriting, as would befit any member of La Luz, but this seems to be a pale midnight ride into the waves. It’s one that ends with a dive below the surface. holding your breath until it hurts, then returning to the beach to watch the stars in hope that another is out there feeling just as adrift upon the pangs of loneliness. Themes of isolation, flying saucers, other worlds, solar eclipses, and inner monologues weave between the somnambulant plucks of Cleveland’s songs. The record revels in lulling the listener into a cocoon of calm, but winds up painting their dreams in strange iridescent shades that haunt heavily upon waking.

The fevered pastoral nature of the record places it outside many of her surf and garage contemporaries, finding a queasy balance of bleakness and hope like some of the best members of bygone label Language of Stone. Were it the peak of the psych-folk revival, Cleveland could easily find herself sharing a bill between Orion Rigel Dommisse, Festival, Josephine Foster, and White Magic. She ultimately tugs away from the noose of nostalgia, though, giving the album a thoroughly timeless feeling at its core. Night of the Worm Moon winds up that rare instance of a record that slows time around the listener, sealing the moments spent listening in a billow of haze that’s as narcotic as any substance you’re likely to encounter. Cleveland has long proven a nuanced force in pop, but this album seals her legacy as one of the new era’s most haunting folk voices.


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Shana Cleveland – “Don’t Let Me Sleep”

Shana Cleveland lets out the second single from her upcoming, Night of the Worm Moon, which is quickly becoming one of my favorites of 2019. Much like the previous single, “Don’t Let Me Sleep” languishes in late-night vibes and spectral calm. The song, and album, are a departure from the taut garage pop of her La Luz days, but Cleveland proves that less is more with these affecting and dreamy tunes. The accompnying video is no less dreamy, in fact. Centered on an extraterrestrial concept, the clip is awash in shimmering colors and midnight locales. Its a perfect compliment to Shana’s lullaby pleas. The album is out April 5th, and I highly recommend looking into a copy.

Support the artist. Buy it HERE/

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