Posts Tagged ‘Sacred Bones’

Moon Duo

The last time that Moon Duo graced a long player, they’d split their impulses up into dark and light – a duality that served them well, giving a showcase to their heavy psych hammer, but also their growing openness to more serene sources. They continue to tap the latter as they ease into the shimmer of Stars Are The Light, an album that finds the band diving into their love of dub’s endless embrace, disco’s euphoric lift, and the more open expanses of psychedelia where the genre invites listeners to loose oneself in sound and let the rhythms infect every pore. This time the tendrils of guitar wind around ever limb and digit. The sound permeates into the bodies systems, swimming in the blood and bile until it’s one with the listener.

The band has always had a pull towards the tendencies of their German Progressive forbears, finding a spot in the cave beside the Düüls (I or II), Guru Guru and Popul Vuh as they bounce sound off the stalactites of your consciousness. This time they go further from the mouth of that cave, letting the sounds disorient and the synths in particular sparkle like secret geodes lighting the way towards serenity. They too have pulled from the slow burn of Spacemen three, but here they seem to follow Sonic Boom on his travels through Spectrum and into the realms of E.A.R. They wind the more experimental production elements in an ache that’s rooted in their search for euphoria.

The shift is startling if listening to just one or two examples shuffled into their past output. Something like the title track, separated from the statement of Stars, when compared to the relative heavy groove back catalog crushers like “Slow Down Low” or “The Death Set” feels like being transported to a whole other planet of sound. Yet the glimmers have always been there – the gauzy strum of “In A Cloud,” the poppy sway of “Circles” – they all feed into what’s working through the veins of Stars Are the Light. Ripley and Sanae have found the balance, sawn off the fuzz yolk that held them fast to the legacy of Wooden Shjips and set themselves adrift into the cosmos here. The record is practically built for headphones as sounds bounce around in 3-dimensional drift, always anchored by the heartbeat skitter of rhythm that pulls the listener out of their shell and into the greater unknown.



Support the artist. Buy it HERE.

0 Comments

Moon Duo – “Lost Heads”

Another gem drops from the new Moon Duo record and this time its a headier bit of ballast than the last time around. Where the title track to Stars Are The Light sparkled with enough shimmer to warrant its title, “Lost Heads” is a deeper dive into what Moon Duo do best. The track pulses with rhythm — hot, humid, palpable — but it also drips with the usual streaked condensation and liquid guitar intensity that the band’s been known for. While this album is pushing closer to the disco vein this time around, this is not the track for the floor, or at least the dancefloor. This is more of a lying on your back, staring at the ceiling, trying to come down affair. Moon Duo have built a legacy on splitting the veil between darkness and light and this is one of those tracks tottering on the knife edge they wield so well. Still very excited to have these guys playing the site’s upcoming 13th anniversary in November. Check back for a new announcement on that next week. Good news a’comin’.




Support the artist. Buy it HERE.

0 Comments

Föllakzoid

Seemingly going backwards, sideways, or completely untethering from this reality, Chile’s Föllakzoid follow up their 2015 album III with I. I suppose the reset makes sense, though. This is not Föllakzoid as it operated in the past. There’s still a kosmiche touch and a sense of reverberating dread that devours wonder on their latest, but rather than constructing these in the linear sense, the band shifted strategies. Recorded in bits, the band left the assemblage of the album to Uwe Schmidt, more commonly known as the producer Atom™. The band recorded the album as 60 separate stems and Schmidt organized them into four coherent movements. The tracks push the clock, even for Föllakzoid’s typically lengthy impulses, but where they were once creating nebulous galaxies, now they’re creating dense black holes of sound that seek to absorb the listener and disorient the journey.

The Atom™ stamp seems to push their sound further towards the trance end of the spectrum. There’s no more rhythm than the band usually employs, but the rhythms he’s arranged are less likely to scrape through German progressions left from the ‘70s than they are to riffle the Raster Norton and Editions Mego fallout bins. While this is likely the furthest from Terra Nova that the band has traveled, I have to admit I was a fan of their particular niche of Krautrock. This still scratches the same itch in a way, but the darkness has devoured the gauze and I miss it. Still, if you’re looking to lose yourself in the veil of rhythm, this is your best bet.



Support the artist. Buy it HERE.

0 Comments

Moon Duo – “Stars Are The Light”

Though there’s been plenty of activity through Ripley Johnson’s camp lately, its been a couple of years since we’ve heard from Moon Duo. The band is back with a new full length on September 27th and it marks a bit of a sonic shift for the band. Their last album was split into halves — a yin yang of light and dark, with Volume II skewing softer than the band had ever ventured. Still there was the familiar motorik grind bubbling underneath the strums, though. On “Stars Are The Light” the band bubbles along on an effervescent beat, vocals lost in a cloud of bliss and those familiar guitars lines still dripping but no longer lashing. Did the lightness win? Is this the celebratory sound at the end of the battle? I suppose the whole album will have to land in our laps before that question is answered.

For now this is a summer quencher from the Duo, wrapped up in artwork by RSTB favorite Ardneks and Sonic Boom is behind the mixing desk this time around. Turn this one up and let the breezes batter away your blues. Also, I’m very excited to be able to announce that, for you Upstate, upstate adjacent types, and city dwellers looking for an escape, the band will be playing RSTB’s 13th Anniversary this November. The show’s November 15th in Kingston, NY at BSP. Along with Moon Duo Jeffrey Alexander of Dire Wolves will be opening and one more very special guest that will be announced in August when the poster surfaces. Check back for that soon and pick up a ticket here.

Support the artist. Buy it HERE.

Continue Reading
0 Comments

RSTB Best of 2018

So, it seems that 2018 is finally coming to an end. It’s been a hell of a year by most standards, but musically its been damn entertaining. Perhaps its fair that there’s some bright spot in all the chaos. Not to diminish the chaos, but when the negativity is at an all-pervasive fever pitch, its feels good to have something to hold onto. I’ll choose to remember 2018 as a banner year for music and for the birth of my second daughter rather than the year that page refresh politics threatened to give me an ulcer any day. Below are my favorite albums of the year, taking care to highlight some that might otherwise get forgotten. They’re in (quasi) alphabetical order with no other particular weight on the list. Keep your eyes out for a few more year-end features this week before I reset for the new year. As always, thanks for sticking with RSTB for these 12-odd years or so.

Continue Reading
0 Comments

The Holydrug Couple

Chilean psych-pop duo The Holydrug Couple have always taken a blissful approach to the idea of psychedelia. Their sound doesn’t embrace the attack of fuzz or anger of feedback so much as it seeks to strand listeners in a euphoric cocoon of dazzling light and sound. They’ve done so to great effect on their last couple of albums on a shoestring budget, turning bedroom sessions into gooey, sun-dappled psych-pop that begs the listener to get lost in its embrace. Now they’ve doubled down on the studio setup, looking to produce something of a ‘classic’ record with all the spoils of their Guitar Center sweep-up.

While they’re taking a nod at Beach Boys and Beatles in their reported intentions, in reality this is landing among the heather occupied by The Soft Bulletin and Heaven or Las Vegas. Everything on Hyper Super Mega shimmers, everything glows and turns to gauze rather than becoming concrete. There’s a pop center that might run on an engine of ‘60s and ‘70s giddiness, but once its processed through the band’s arsenal of augmentation its all dry ice and purple glows, like gaseous extraterrestrials trying to tune in Todd Rundgren on the console of a second-hand saucer.

It seems that 2018 is a year for bands to bring forth the best version of themselves and in that regard, Holydrug Couple can clearly be added to that list. Hyper Super Mega achieves the vision that they set out to bring to life when the Couple was formed, a vibrational orchestra rendered in absolute clarity. In a year that’s been tumultuous and feels awfully grounded this is a nice lift into the clouds of distraction and a salve for daily burns.



Support the artist. Buy it HERE.

0 Comments

Exploded View – “Raven Raven”

Enticing title’s aside (for this site anyway) the first taste of the upcoming album from Exploded View is a sinister pop gem. The band’s previous outing for Sacred Bones, their 2016 eponymous debut, was delightfully disjointed, embracing dissonance as a key element to their off-kilter pop, flickering through sounds like a broken slide carousel. Here, though, they’re smoothing things out – welding ‘80s goth atmospherics to ‘90s industrial pop machinations – echoing the infectious, bittersweet shake of Black Box Recorder and the buttoned-down darkness of Portishead. The Mexico City leans into pop’s embrace but leaves rough edges peeking out from their cavernous cardboard box beats. The track slinks its way through the headphones with a gnawing urgency that places the track among their best. I have to wonder if this foreshadows a dark drape of an album that’s sliding into the velveteen sound they’re pursuing here, or if like last time, they’ll break up the shimmer with a few twists of the knife every know and again. Either outcome, I’m intrigued.


Support the artist. Buy it HERE.

0 Comments

The Holydrug Couple – “I’ll Only Say This”

Chilean psych unit The Holydrug Couple have been getting lush for as long as I can remember, but their latest for Sacred Bones doubles down on the sparkling light and hazy wash of aftrnoon sun that dapples their sound. The single is the first off of their upcoming LP Hyper Super Mega. The accompanying clip goes for more for cultural saturation then for visual gauze, flipping through touchstones of music and history until the track crumples in on itself. From the blissed pop on display here its apparent that the band has yet another stunner in store when that album rolls down the pike in September. After a summer swelter like we’ve had on the East Coast these past couple of days, the band’s gooey take on psych is just the thing to embrace the humid vibes coursing through June.

Support the artist. Buy it HERE.

0 Comments

Vive La Void’s Sanae Yamada on Midori Takada – Through The Looking Glass

When this feature first found its footing one of the initial participants was Ripley Johnson from Moon Duo / Wooden Shjips who dug deep on a sorely lost Aussie stunner from Fabulous Diamonds. A year on, and quite a few more Gems later, its great to now have both halves of the duo represented with a pick from Ripley’s partner in crime Sanae Yamada. With dozens of great Moon Duo records in her portfolio, Yamada broke out solo with her hypnotic new outing this year as Vive La Void. I was intrigued to see what Yamada’s pick would be, given her background in synth / psych / Kosmiche and as always the picks wind up being great surprises that further add to my own need to get to the record store. Sanae picked the 1983 album, Through The Looking Glass, from Japanese percussionist Midori Takada. She goes in depth on how the record came her way and how its impacted her own writing.

Continue Reading
0 Comments

Vive La Void

Most know Sanae Yamada as one half of Moon Duo, where her synths butt against Ripley Johnson’s guitars for a hypnotic grind that’s forever indebted to the German Progressives that came before them. During endless hours on the road with the Duo Yamada began work on a tangential venture, one that’s still buzzing with Kosmiche life, but taking on a much more introspective bent than Moon Duo. Vive La Void comes as an apt title for her solo work. The eponymous LP on Sacred Bones floats in a psychic ether, sandwiched between planes as it were – with insistent beats pillowing a steady pulse of synth tones and Yamada’s trapped under glass vocal delivery giving the project a dreamlike appeal.

The rhythms beg movement, a dance, a twitch even, but their contrast with the spectral vocals makes for a record that’s at odds with itself. Vive La Void is constantly pulling towards the calm float of sensory deprivation but forgetting to lock the lid on the capsule. The boombox grind from the outside ekes its way into Yamada’s dream and she and the listener are suspended in time watching the lights and imaginary dancers spin around us, partitioned by plexiglass just out of reach. As such her album takes on a slightly sinister quality, detached and appalled at the situation. Her alchemy makes for a standout debut from VLV, placing this far from side project status and well into the realm of dream pop purveyors of the highest order.




Support the artist. Buy it HERE.

0 Comments