Posts Tagged ‘Sachet’

Sachet

The new LP from Aussies Sachet threads the needle of ‘90s nostalgia, but winds up pulling its thread through some of the more admirable moments along the way. The band’s sound is fuzzed, and lightly flecked with an angst that soaks up the discomfort of the decade, while lacing Nets with a head-nodding melodicism that burrows under the skin to stay. Interlaced guitars, a thick froth of feedback, make the record a formidable contender, but they push it past the threshold with the quiet cool of Lani Crooks’ delivery. Her vocals add a coiled approach to the record, steady but always ready to strike with a hook that hurts and heals. In the past I’ve brought up Kay Hanley and Anna Waronker as touchstones for her sound and aside from the flashpoint closer of “Arncliffe Babylon,” the comparison sticks to the whole LP as well. Crooks slots herself in as a sly striker whose hooks take a minute to manifest but latch on for keeps.

The band grew out of the soft slip-away of Day Ravies, which contained both Lani and the band’s Sam Wilkinson. Where’ their previous band was more caught into the coven of jangles that’s spread far and wide across their homeland, with Sachet they’re moving into a thicker porridge. There’s a slower tempo, like the jangles were caught in humidity and then shocked to live with the gnarl of fuzz and froth. Despite the dodgy name, Day Ravies had an infectious reach, but Sachet seems to be the realization of what they were reaching towards all along. Reverence to an older sound can sometimes sink a band, but their influences and how they digest ‘em seem to make Sachet soar, making Nets one of the low-key charmers of 2020 that deserves a sight more attention. Friday’s a Bandcamp support day, give ‘em some love eh?



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Sachet – “Arncliffe Babylon”

Mid-last year Aussies Sachet released the standalone single “Nets,” which would not seem to be an actor piece and the title track of their upcoming album for Tenth Court. This week the quartet have a new low simmer jangler and its pushing Nets up the anticipated pile for sure. “Arncliffe Babylon” has an undeniable ‘90s quality to it, or rather, it has several that all pile together for a song that’s hitting several tips of the tongue at once. There’s the low-slung baseline that rips its riff straight out of slacker-punk pages – loping and bobbing with a bubbled indifference. The guitars are over toasted like an afternoon snack forgotten in the toaster over and just caught before the flames take hold. Then there’s the vocals of Lani Crooks, who’s delivery is wedged somewhere between the alt-rock quiet cool of Kay Hanley and Anna Waronker. There’s been plenty of ‘90s revivalism, but somehow the soft-punch and loosely braided melodies of Sachet feel like the right impulses are making their way back around. The album is out shortly on Tenth Court.


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Sachet – “Nets”

A nice cut outta South Hemi enclave Tenth Court works as a great introduction to Melbourne’s Sachet. The foursome makes springy indie pop that’s tethered to a muscular strum, male/female harmonies swirl above a flex of bass and head nodding snap of drums. The band has emerged from the hollowed hull of Day Ravies and they share an affinity soft angles and gentle harmonies. “Nets” starts in sweet and swaddled, seemingly a doe-eyed indie-pop strummer before it turns the tension up in the second half, crashing through the speakers with steely sincerity. The song precedes their sophomore album of the same name set to be released in September. I’d advise keeping an ear out for that one.



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