Posts Tagged ‘Robert Beatty’

Self Discovery for Social Survival:
Surf Film + Soundtrack

Quite and interesting one coming down the pike (so to speaK) today in the form of a super ambitious film and soundtrack from the folks over at Mexican Summer. Now Sum’s reissue arm Anthology has been digging into surf culture for a while, issuing vinyl versions of Tully and Tamam Shud LPs that tied into Aussie surf culture while also reissuing soundtracks to Andrew Kidman’s Litmus and Glass Love surf films and packing them into a high-end box. Seems only natural then that someone over there was going to push it one step further. That step included getting top surfers from the US and Australia to travel with three groups of musicians and films crews to three top surf spots. The completed film follows Allah-Las and their surf group to Mexico, Peaking Lights and theirs to the Maldive Islands and Conan Mockasin & MGMT’s Andrew VanWyngarden with a group to Iceland. Each group then composed songs as reactions to the days surfing footage which is cut together with narration by filmmaker Jonas Mekas and art and animation from Robert Beatty and Bailey Elder (who also provide the packaging for this artifact).

Add to that extra pieces from Dugen and Jefre Cantu-Ledesma and this is a fairly unique package. I’m no surfer, never stepped on a board in my life, but the scope of this and the breadth of talent involved is frankly pretty intriguing. Plus, the psychedelic shimmer of the soundtrack stands on its own, even if you never witness the fully combined efforts. Check the trailer above and keep a lookout for this sucker when it comes out June 14th.

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Design Inspiration: Robert Beatty

Another new feature at RSTB begins today, this one taking a look at designers that have proven above and beyond the average sleeve jockey. Sleeve art has always proven to be more than just decorative dressing for an album, oftentimes it can be as integral and inseparable from an album as any song gracing the sides. And while they say you can’t judge a book (or album) by its cover, we often do just that, so designers can act as the gatekeepers of taste. Of recent designers, I can think of few that have been proving more of an inspiration to psychedelic savants than Robert Beatty. His style evokes classic silkscreen techniques and custom painted vans from the ’70s. He’s got an eye for the surreal and a feel for color that’s made him a favorite of everyone from Real Estate and Thee Oh Sees to Oneohtrix Point Never, culminating in his most famous run last year on Tame Impala’s Currents and its surrounding singles. In this new series, I’ve asked designers to go pick the works that inspire them, choosing five of their favorite album covers and explaining how they’ve influenced their style. Robert’s picks are below, spanning from Tropicalia to a collab between Stereolab and The High Llamas, each one peeling back a layer of Beatty’s iconic style.

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