Posts Tagged ‘Razorcuts’

RSTB Favorite Reissues of 2020

As always seems to be the case with any year, 2020 was a great year for digging through the past. As much as the site attempts to focus on new music, I’ll always be a sucker for some deep-dive reissues that explore corners of the past I’ve not found myself in previously. Likewise for records that never really got the vinyl shot originally making their way out into the world until it was ready to have them. These are my favorites from the year.

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Razorcuts – Storyteller (Deluxe)

It was a hectic summer and I hope you’ll forgive this one slipping beneath the waves for a bit, especially since there wasn’t a lot of dust kicked up about it Stateside. Optic Nerve has done the world a huge favor in reissuing both of Razorcuts essential LPs along with extended bonus discs that cull some key singles into the mix. The band, fronted by Gregory Webster and Tim Vass alongside a rotating cast of contemporaries, exemplified the C86 jangle-pop sound that has smitten so many, yet they’re often left shy of fame in hindsight. The band issued singles on Subway Orginization, Flying Nun UK, Sha La La, Caff Corporation, and Lamia and quite a few of these bits make it onto the second LP on offer here, making this a bit of an indispensable look at the band. Included are the band’s key singles “Sorry To Embarrass You” and “Big Pink Cake” along with harder to dig up splits with The Wolfhounds and covers of The Band.

As for Storyteller itself, the album finds the band in thrall with their own sound — wistful, tender, breezy – a bit of a beacon of light in 1988. The band had worked out their kinks by this point and, while the early singles have an immediacy on display, the lineup for Storyteller finds a thread through Webster and Vass’ influences, tying up sunshine pop, ‘60s jangle from The Byrds to the Beau Brummels, and a big indie heart that places them easily in the Creation roster while never skewing twee. I’ve always been a fan of the band’s follow-up, which acted as my entry point to Razorcuts and the label has also issued this along with a second disc that scoops up the rest of the EP tracks and compilation bits that don’t make it onto the early extras here. I’d recommend them as a pair, even for the casually curious jangle-pop fan. Both records are an absolute delight and the expansion packs here make put a wealth of previously harder to nab material back on vinyl all in one place. Sadly after Mile High Towers the band would crumble and crack. Vass would go on to play with Red Chair Fadeaway, and Webster would start up The Carousel and Saturn V. Notably, though they reunited under the name Forever People in 1992 for a one-off single on Sarah Records, making their indie-pop label trip complete.



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NRP: Razorcuts – The World Keeps Turning

Its been a while since I’ve gotten to dig into a Necessary Repress, but the list is long and heavy. For a refresher, the series aims to look at releases that have been left out of the vinyl boom and the constant savaging for every conceivable pop artifact to put back into circulation. This usually comes to a head around Record Store Day when labels look at rosters for any item they can cannibalize back into the market, without thinking about how necessary represses of best of compilations and unloved singles truly are. That’s not to say that there aren’t deserving corners of the market still left out of the spotlight, though. Its just never the ones you love, is it? In that regard, I submit the catalog of C86 / Creation alums Razorcuts, and more specifically, their excellent sophomore album The World Keeps Turning.

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