Another new feature at RSTB begins today, this one taking a look at designers that have proven above and beyond the average sleeve jockey. Sleeve art has always proven to be more than just decorative dressing for an album, oftentimes it can be as integral and inseparable from an album as any song gracing the sides. And while they say you can’t judge a book (or album) by its cover, we often do just that, so designers can act as the gatekeepers of taste. Of recent designers, I can think of few that have been proving more of an inspiration to psychedelic savants than Robert Beatty. His style evokes classic silkscreen techniques and custom painted vans from the ’70s. He’s got an eye for the surreal and a feel for color that’s made him a favorite of everyone from Real Estate and Thee Oh Sees to Oneohtrix Point Never, culminating in his most famous run last year on Tame Impala’s Currents and its surrounding singles. In this new series, I’ve asked designers to go pick the works that inspire them, choosing five of their favorite album covers and explaining how they’ve influenced their style. Robert’s picks are below, spanning from Tropicalia to a collab between Stereolab and The High Llamas, each one peeling back a layer of Beatty’s iconic style.