Posts Tagged ‘Possible Humans’

RSTB Best of 2019

2019’s drawing to a close, so I suppose this is the place to tie it all up. I’ve mentioned in years past that ‘best’ is a hard line to draw around the music from the year. From a blog perspective ‘favorite’ seems more appropriate, but then for all intents and purposes my choices are qualitatively the best to me, if not necessarily quantitatively best in the sense of the zeitgeist. The drive to figure out what’s best seems to just consolidate consensus and we’re all treated to dozens of lists that cross over with each other, especially in the top spots. I’ve long been a proponent of niche. I say long live finding your voice and letting others find theirs – we can all compare notes and discover new music in the process. I don’t need anyone to sand the edges and offer up a list that’s all inclusive. I like the edges. These are my favorites from a great year, edges and all.

Continue Reading
0 Comments

Possible Humans’ Steve Hewitt on bZARK – The Welcome Storm

If you’ve spent any time haunting the halls of RSTB you’d probably notice that I have a soft spot for Australian indie. While most of their countrymates have been mining the offbeat jangles of The Clean or the scratched punk proddings of Toy Love, Possible Humans have taken a scrape through some American alternative highlights – Dinosaur Jr., Volcano Suns, R.E.M. – and come out with a sound that’s payed homage to the era without becoming a complete love letter. Their debut was issued in a scant run of 200 on the great Hobbies Galore and now gets its own US / worldwide issue on Trouble in Mind. Steve Hewitt from the band sent over a pick for the Gems series and it shines some light on an Aussie nugget from his youth.

Continue Reading
0 Comments

Best of 2019 (so far)

It’s been a hell of a year so far and now it’s time to run down the albums that have stuck around the turntable the longest. For all the fraught emotions and everyday injustices, there’s still some bright spot of solace in music. That’s not a trade-off, but its something to keep you going. As usual, these are the best records that filter through the Raven aesthetic. I’ll be off next week on vacation so this 30-spot plus the ensuing two and a half hour mix will have to hold you for a week. Gonna take a break until the 2nd week of July. The second half of the year already has a few front runners, so enjoy these gems before the tail end of 2019 comes running atcha.

Continue Reading
0 Comments

Possible Humans

When the first crack listen off the debut LP from Aussies Possible Humans came rolling into the inbox it was marked by strums that brought to mind old guard South Hemi hitters like The Clean and The Go-Betweens – usual fare for the new crop of Aussie indies popping up all over the coasts. The band even contains a member of recent RSTB faves The Stroppies – and so it seemed all teed and set up for expectations of more of the same – but, this ain’t that record. Not by a long shot. While Possible Humans start their motor in jangle’s wide embrace, they don’t linger in its lot too long. They take a tub of roofing tar to The Clean’s fizz n’ strum dynamics and stick it onto a harder, knottier, more knuckled vision of indie that was spreading across the US. Shades of Dinosaur, before legalities gave them a youthful suffix, are at work here as well as patches that pull from Dino’s fellow Fort Apache alums Volcano Suns.

The band has a real reach, giving the record the kind of dynamic progression that often gets lost in bands who nail their niche with a great tune only to rinse and repeat over the rest of the record. There’s hardly a repeat feeling in the bunch save for a hangover of frustration, but it sticks together like a dingey bouquet picked out the puddle and pasted back together. The toughened skin of “Absent Swimmer” recalls R.E.M. at a time when you weren’t likely spot the whites of Stipe’s eyes on stage. Other places they’re muddying up Feelies riffs or flirting with the noisier nubs of the alternative nation, bending guitar growl through manic swings like a band who watched The Mats once and tried to memorize the stage moves.

The absolute highlight, though, is the lengthy second side workout “Born Stoned” which finds them at their gnarled best, threading repeated riffs through the woodshed and stuffing flannel in all the exits to hotbox their best grim grooves. It’s a hell of a debut, and like their fellow countrymen Mope City (who tackle Galaxie 500 glimmer) they’re branching out from the expectations built up among an underground that’s constantly intriguing, but has also cannibalized its influences a few times over. Though the LP was scant, this one’s worth it in any format. Recommended you get on that.



Support the artist. Buy it HERE.

0 Comments

Possible Humans – “The Thumps”

Another top-notch jangler out of Melbourne and the hotbed of Hobbies Galore. Possible Humans blend roiling twang with the crunch of fuzz and a quick-step beat pushing it headlong down the hill. “The Thumps” builds on their previous LP and a single on Strange Pursuits (home to Day Ravies, Sachet). Like Stroppies, they’ve also cleaned up their act a bit for the new long player and their sound has cohered into a mash of the Stropp’s organ-laced jangle-pop, Twerps loose shuffle, and the taut bass work of The Go-Betweens. The first single offers a lot to love, so its understandable that hopes are high for the full-length coming April 1st. The record was recorded by Alex MacFarlane with the usual Aussie shine-up by Mikey Young. Grab a listen below.






Support the artist. Buy it HERE.

0 Comments