Posts Tagged ‘PNKSLM’

Hollow Ship – “We Came Too Late”

Gotthenburg’s Hollow Ship have been spiking the punch of psych-pop for a little while yet, and the sound of it comes through in their latest single “We Came Too Late.” With a mix more suited to the crisp snap of pop and R&B than the murky waters of psych, the band adds a rhythmic kick to their swirling guitars and low-end growl. The band crosses the threshold bit more than the rest of the album here, pining for Tame Impala territory before the band was full enmeshed as festival headliners and seated into the high end of the radio dials pop charts. The ambition to dance sweats its way through the cut’s funk simmered core, and they actually land a lot closer to recent Aussie exports Psychedelic Porn Crumpets (man, that name) mixing the liquid lightshow swirl with the neon glow of glam. This one’s coming a little early in the year (April 3rd from PNKSLM) but maybe the summer sweat will help bring on a premature thaw.


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Hollow Ship – “We Were Kings”

Swedish psych-pop unit Hollow Ship roll out the video for the A-side from their upcoming PNKSLM single “We Were Kings,” a kaleidoscopic collage animated by Freddy Wallin. “We Were Kings” sets the band into a the cradle of psych occupied by Goat, Flamingods, or Khruangbin, bands that find something new while rifling through the overlapping detritus of the past. The song is anchored by rhythm, owing to a studio suggestion to keep the drums high in the mix. The chugging beats keep a heartbeat bop that lays a bedrock for the swirling synths, flutes and funk-laced guitars. The video is as eclectic as the song itself – swirling with cut n’ past aesthetics that play well with the band’s all-inclusive approach.

They note of the Wallin’ led clip, ”In an animated reality, not to different from our own, we are invited to follow a vessel on it’s intergalactic trip through the universe. Along the way we experience colorful encounters with extraterrestrial beings and heavenly bodies. A journey into the unknown making it possible for the traveler to finally find itself” The 7” arrives this Friday from the Swedish outpost and speaks well to what’s on the horizon for the band as we enter 2020.



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HOLY

For his second album as HOLY, Sweden’s Hannes Ferm uprooted his life and slowly began to dismantle the sound he’d built on his previous album. The band’s debut was rooted in a brand of garage-pop that’s not out of line with many of his labelmates on local hub PNKSLM. As he shifted to his new home of Stockholm and his new digs at Studio Cobra, however, he looked to lush works for inspiration and began a journey to a double LP concept record about deep personal change, alienation, and the nighttime. It’s a subject that would seem to inspire quiet introspection and the soft pluck of strings, but not so in Ferm’s world. He envisions the night as glimpsed through the kaleidoscopic swirl of traffic signals, brake lights, and neon signs under the sway of melancholy and psychedelics.

Ferm calls out Todd Rundgren’s classic A Wizard, A True Star as inspiration and that’s a telling germ to cite. All These Worlds Are Yours takes a similar tact of diving into songs that explode with pop colors and softly strung hooks, then clipping them short right when they’ve got you in their sway. He pulls a pop one-eighty on the listener quite a few times over the course of the record’s tenure but rather than knock the listener off track, the technique just adds to the dizzying funhouse that Ferm has constructed. The album is rooted in glam’s opulence, but not it’s rock candy crunch – there are no fuzz-tones or Bolan-sized amp rumblers here. Instead, Ferm has built a velvet-draped dreamland that’s powered by reverb and light.

It’s a huge step forward for the artist, leaving behind his humble rock beginnings to embrace the kind of mini-epics once favored by the members of The Elephant 6 Orchestra. With the help of producer Martin Ehrencrona (Les Big Byrd) he’s captured the heartswell of emotions that accompany youth’s moments of alienation, revelation, and reinvention, then used them as a neon engine for creativity. All These Worlds Are Yours sounds every bit like it could have come down in Dave Fridmann’s heyday of panoramic psych-pop and that it was largely self-done speaks volumes to Ferm’s talent and to his promise for the future.




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Holy – “Heard Her”

I’ve been lax in the tracks department and for that I apologize. But that’s not to say that there hasn’t been much to dig into. Holy is the work of Sweden’s Hannes Ferm, and it’s a taste of his 13-months in the making sophomre LP, All These Worlds Are Yours. Treading into psych-pop territory proper, the song is bathed in a sunlit glow that’s echoing plenty of lush-pop purveyors in his rear view – bits of Temples, Super Furry Animals and even late-term Elephant Sixers like The Sunshine Fix coming to mind on this one. It’s definitely a good sell on what he’s had cookin’ for the last year plus, and while I’ll admit I’m a sucker for some verdant psych-pop this is just a damn fine tune all around. If you’re unfamiliar, lay back into this and let it wash over you in radiant waves.





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