As I mentioned in the review a few days ago, the work of Masaki Batoh has a pretty strong foothold in the roots of RSTB. Ghost in particular is a personal favorite, but the guitarists’ work has touched on higher burning psychedelic forms with The Silence and Cosmic Invention, twisted through experimental norms in his solo work and resonated deeply in his works with collaborator Helena Espvall of Espers. The latest solo outing, though, has felt like a coming home to the psychedelic folk and blues that first gripped me. As such its great to have Batoh contribute to the ongoing Hidden Gems series and tackle a release that he feels might not always get the proper due it deserves. Check below as Masaki discusses finding Pearls Before Swine’s underground classic Balaklava and the impact its had on his own writing.