Posts Tagged ‘Patience’

Best of 2019 (so far)

It’s been a hell of a year so far and now it’s time to run down the albums that have stuck around the turntable the longest. For all the fraught emotions and everyday injustices, there’s still some bright spot of solace in music. That’s not a trade-off, but its something to keep you going. As usual, these are the best records that filter through the Raven aesthetic. I’ll be off next week on vacation so this 30-spot plus the ensuing two and a half hour mix will have to hold you for a week. Gonna take a break until the 2nd week of July. The second half of the year already has a few front runners, so enjoy these gems before the tail end of 2019 comes running atcha.

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Patience

When an artist so deftly nails a genre, its sometimes beguiling that they’d ever leave it behind in their wake. Veronica Falls was one of the most instantly brilliant jangle-pop bands of the last decade. They merged wistful, tip-of-the-tongue influences into a seamless pop vision that was quietly catchy, incredibly intimate, and bittersweet to the point that songs could make your heart ache for days. As the band faded away to their separate pop corners leaving behind an enviable, albeit brief catalog in their stead, neither half has pursued quite the same niche they once found so comfortable. As her bandmate James Hoare has wandered more autumnal with his works, Roxanne Clifford has found space on the dancefloor of sorts. After several singles under the name, her debut as Patience applies the same artisan’s ear and bittersweet heart to synthpop that she once saved for the jangle.

There are still a few flecks of guitar that grace Dizzy Spells (“White of an Eye”) but they’re garnishes at best. Clifford instead focuses on a stripped-down analog sound that’s delightfully minimal, though never unpolished. She’s channeling the early years of dance-pop, the kind that found itself creeping out of the corners of disco, but also found itself in thrall of German electronic pioneers and bedroom pop singers alike. She crafts the kind of detached, yet hypnotic hits that made Grace Jones and New Order kindred spirits with slinky underground acts like Monopol and Autumn. The opener “The Girls Are Chewing Gum” could easily find itself bound up with the kind of sharp, kinked club hits that wind up on Minimal Wave compilations.

The bulk of the record swings a different direction, though. The songs, for the most part, aren’t built for dancing in public, but rather caressing a wounded soul and broken heart away from prying eyes. The sort of intimacy that permeated her work with the Falls is still readily apparent here, and Clifford is able to apply a dreamy veneer to the skeletal beats and gauzy auras she’s constructed. The shift is admirable for its desire to steer quite wide of her comfort zone, but more so because she pulls it off jus as naturally as she has any other vision of her songwriting prowess. Whether this remains a temporary direction or a new standard for Clifford, she’s proving that no matter what genre she’s exploring, she brings a deft pop palette and that perfect pang of heartache that makes the songs stick.



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Patience – “The Girls Are Chewing Gum”

Following the dissolution of revered band Veronica Falls, Roxanne Clifford’s taken a shift towards synth pop, using her gift for gauzy pop to pin down deft hooks to a more propulsive muse. Patience has been issuing a sterling run of singles since 2016, but today she announces her debut LP, Dizzy Spells for Night School/Winona Records. The announcement comes with a new video in tow for the Eurythmics via Tones on Tail slanted cut “The Girls Are Chewing Gum.” The track dances in the corners of the room, lost in its own dream. The synth tones sidle up just this side of goth, but those skittering drums splash a bit more sun on the track, keeping the velvet curtain of that particular genre at bay. Slotted alongside former standouts “White of An Eye,” “The Pressure,” and “The Church” the album already feels like a future classic. Check the neon nostalgia of the video for “Girls” above and watch for the LP May 3rd.

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Roxanne Clifford on Shirley Collins and Davy Graham – Folk Roots, New Routes

I’m excited to say that this series now boasts two members of longtime RSTB fave Veronica Falls. Though the band has gone on to new ventures, their taut indie pop will forever be embedded in my heart. One of the band’s greatest strengths was songwriter and singer Roxanne Clifford and she’s brought that same spirit, albeit with an ear towards synth-pop strains over jangles, to her band Patience. With a clutch of great singles already in her catalog, the band has already proven indispensable. So, I was eager to see what Roxanne would pick as deserving of another listen and some time under the spotlight. She’s reached back to a folk classic, the homespun folk of Shirley Collins and Davy Grahams’s – Folk Roots, New Routes. Check out how this found its way into her collection.

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