Posts Tagged ‘Paisiel’

Paisiel

Ramping up their focus from three massive tracks to one double-sided statement, Portuguese-German duo Paisiel rake the listener over an emotionally fraught trek on Unconscious Death Wishes. The title gives off a sinister air and the band doesn’t shy away from the angst inherent in that notion. The composition moves from stark, nervous synth rising in the darkness to the skittering rhythm that marked their last album. The drums don’t give much relief from the tension though, as they ring out like barking threats from just past a circle of light and security; the listener crouched in the wilderness that the pair have presented. Paisiel know there’s danger looming and with that title in mind, maybe they’re inching closer towards it out of irrepressible curiosity or maybe out of an unconscious need to let chaos do its work.

João Pais Filipe’s rhythms play coy until around the 12-13 minute mark when they become all encompassing, fighting Julius Gabriel’s sax heat for attention in the speakers. The pair become locked in a dizzying tempest of swirling, slashing phrases and knotted beats. Gabriel’s sax lines begin to unravel, howling and pawing at the air. The atmosphere grows thick with danger, dread, and pheromones that say fight or perish. Somehow the duo and the listener make it through the feeling of steel and bone against the neck skating to an ending that’s not necessarily serene, but not actively in peril. The vibes as the sun sets on the record are tensed and ready to fight the unseen dangers once more. Sleep doesn’t seem forthcoming, and the metallic taste of adrenaline is both a reminder of what transpired and of what might be again.



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RSTB Best of 2019

2019’s drawing to a close, so I suppose this is the place to tie it all up. I’ve mentioned in years past that ‘best’ is a hard line to draw around the music from the year. From a blog perspective ‘favorite’ seems more appropriate, but then for all intents and purposes my choices are qualitatively the best to me, if not necessarily quantitatively best in the sense of the zeitgeist. The drive to figure out what’s best seems to just consolidate consensus and we’re all treated to dozens of lists that cross over with each other, especially in the top spots. I’ve long been a proponent of niche. I say long live finding your voice and letting others find theirs – we can all compare notes and discover new music in the process. I don’t need anyone to sand the edges and offer up a list that’s all inclusive. I like the edges. These are my favorites from a great year, edges and all.

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