Posts Tagged ‘One Eleven Heavy’

RSTB Best of 2018

So, it seems that 2018 is finally coming to an end. It’s been a hell of a year by most standards, but musically its been damn entertaining. Perhaps its fair that there’s some bright spot in all the chaos. Not to diminish the chaos, but when the negativity is at an all-pervasive fever pitch, its feels good to have something to hold onto. I’ll choose to remember 2018 as a banner year for music and for the birth of my second daughter rather than the year that page refresh politics threatened to give me an ulcer any day. Below are my favorite albums of the year, taking care to highlight some that might otherwise get forgotten. They’re in (quasi) alphabetical order with no other particular weight on the list. Keep your eyes out for a few more year-end features this week before I reset for the new year. As always, thanks for sticking with RSTB for these 12-odd years or so.

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One Eleven Heavy

As I’ve certainly mentioned previously, One Eleven Heavy comes stacked with a considerable cache of talent – roping in members of Wooden Wand, Endless Boogie, Royal Trux, Desmadrados Soldados De Ventura, and Ryley Walker’s touring band. While the players personal geographies run the span on the Hubeadian Map, drawing in both Coasts and dipping into the UK with Nick Mitchell Maiato, the band shares a unmistakable thread of Cosmic Americana between them. That particular strain of jam-seeded classic rock seems to have sprung up from the ground again in thick ripples over the last few years, reaching full maturity in this year of our lord 2018 and One Eleven Heavy arrive baptized in its blood and spreading the gospel well.

Like the crews of their cosmic brethren (Howlin’ Rain, Garcia Peoples, Wet Tuna), they’re hitting full stride with heady jams that hearken back to the years occupying the comedown close of the Summer of Love, with the ideals of the psychedelic era already starting to fade in the rearview and the amphetamine sweat of ’72 just starting to coalesce. The band strips back the stigma of extended time stamps while they work their way through a set that feeds on Levon’s legacy and elevates Little Feat from the sidelines of drive time radio. They channel the Burritos in their unjustly ignored post-Parsons years, while scraping just a touch of Gene Clark’s breakdown brilliance from No Other.

The record tangles the subtle twang of those raised on a diet of jukebox country crooners with the salt scrub of Western air, laying songs back into a pocket that exists somewhere between chooglin’ and juggin’ depending on how deep you want to dive into your own psychedelic pockets. For a debut, the record feels remarkably lived in. Fresh out of the shrink it already assumes frays and stains that belie its vintage, as if it can’t help but come from the plant with ring wear and a hint of basement musk. The band taps the telepathy of players that have shared stages far longer than their brief tenure – a testament to the individuals assembled – and one can only assume that each of the album’s songs is given a new life on the stage. On record, though, it shines bright as Orange Sunshine, an instant classic that should hook the heads who walked the lot and open up a new era for those who only soaked in the sun through Dick’s picks and regret.

While the record’s up on Bandcamp as of last Friday, and you damn well should have bought it already, its highly likely the rest of you are hitting the three spin cap, leaving you ostensibly out of luck until the record hits Spotify this upcoming weekend. However, for the next week, before the record hits streaming proper, you can get the full view from Soundcloud below. Don’t say we never did anything for ya.




Support the artist. Buy it HERE.

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Mixtape: Goin’ West

Been a while since there was a mixtape up, but these things take time and tenderness. For the latest mixtape I’m taking some inspiration from 2018’s slide towards Cosmic Americana. With albums from One Eleven Heavy, Garcia People, Howlin’ Rain, New Parents and Wet Tuna leading the charge back towards ’71-’72 I though it might be in order to round up some of those West Coast sounds that hit on resonant frequencies to the new crop of smooth players. While most, if not all, have already pledged allegiance to their own favorite boots of The Dead and there’s a communal love for Royal Trux, Little Feat, Crazy Horse and Levon Helm, I thought I’d scoop up some outer-stream suggestions to fit the bill. Ok, sure, I’m cheating a bit with the Flying Burrito inclusion, but despite a wealth of praise from any outlet that would let you listen, that one’s just a great song that fits the vibe.

Travel further down this roadmap of country-tinged, sun-soaked songs from ’69 on and feel the vibes slow down to a simmer for the end of summer. It’s not all West Coast -The Wizards from Kansas were actually from Kansas, Mountain Bus were from Chicago despite longing for the country – but each of these hits on that cosmic view of American psych that cropped up along the coast. It all winds down with one of the germs of the sound, The Charlatans’ “Alabama Bound,” a song that’s often been noted as being the proto-“Playing In The Band.” Artwork inspired by so many Grateful Dead bootlegs. Click below for tracklist and stream.

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