Posts Tagged ‘Olden Yolk’

Best of 2019 (so far)

It’s been a hell of a year so far and now it’s time to run down the albums that have stuck around the turntable the longest. For all the fraught emotions and everyday injustices, there’s still some bright spot of solace in music. That’s not a trade-off, but its something to keep you going. As usual, these are the best records that filter through the Raven aesthetic. I’ll be off next week on vacation so this 30-spot plus the ensuing two and a half hour mix will have to hold you for a week. Gonna take a break until the 2nd week of July. The second half of the year already has a few front runners, so enjoy these gems before the tail end of 2019 comes running atcha.

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Caity and Shane of Olden Yolk on Tucker Zimmerman – Song Poet

Just last week Olden Yolk released their sophomore LP, a stunning mix of folk and subtle, blushing psychedelia. Its already pushing up the list of favorites for 2019, so naturally I jumped at getting a chance to look at one of the influences locked on the band’s own turntable. Caity and Shane give some background on finding, and constantly returning to, Tucker Zimmerman’s own sophomore stunner, his “Black Album,” originally issued with no title, and eventually rechristened Song Poet following a proper reissue in 2016. Check out how this record came into the band’s life and what makes it particularly special to them.

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Olden Yolk

On their sophomore album Olden Yolk solidify their folk-pop sound, edging in a touch more of the soft-focus psychedelia that graced their first while embracing the rhythmic pulse pounding under their gauzy glow. The band shares a great deal in common with Shane Butler’s former haunt in Quilt, but they’re drawing deeper into the damp depths of ‘60s psych than Quilt’s sunny veneer ever let on. With this new album they’re picking up similarities to Sunforest, Euhoria, and Sapphire Thinkers giving their sound a lushness that’s even more present than the last outing. Like bygone autumnal strummers Ultimate Painting, they’re burrowing into melancholy with a wholeheartedness that reverberates throughout Living Theater. This doesn’t land them in the bell jar, but perhaps perches them just adjacent, making charcoal sketches of said jar to send to pen pals who sigh like they sigh.

In fact, autumnal is the wrong word, if anything Olden Yolk are vernal and all the better for the May release of their latest record. They oscillate between streaks of rain and scattered beams of sun in mercurial moments between the album’s ten tracks. The best songs here (and its hard to choose) embrace both halves of their split souls. “Grand Palais” is a particular stunner, edging into the light on tip-toes but heading into its skid spinning ‘round and ‘round until the air becomes dizzy. “Cotton and Cane” is the band at their most pop, pinning poetry on loss to a careening crackle and a perfect vocal dance between the leads.

The songs take on their heaviest cloak when Caity Shaffer steps up to the microphone, though. Soft flutes and a gentle nudge of bass huddle behind her while she croons contemplatively on “Distant Episode,” the song palpably drizzling with tenderness. She’s equally heartbreaking on “Castor and Pollux,” a haunting tale of indecision and loss. The air of duality remains a glorious constant on Living Theater the singers’ intertwined voices and the bittersweet vibes following the tides between joy and sadness like the soft quiver of a diaphragm before weeping. The debut was an excellent introduction, but with album number two, Olden Yolk plead to be on your list of 2019 essentials.



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Olden Yolk – “Grand Palais”

The second album from Olden Yolk continues to sparkle with a new single, “Grand Palais,” today. Not as driven and direct as lead single, “Cotton & Cain,” this shows a bit more of the band’s West Coast psych lineage. The band lays back into the froth of fuzz riffs and bouncing acoustics before that the sunset slide into twang following the chorus. The song’s bolstered by cap gun blast percussion and the soft sighs of Caity Shaffer wafting on the breeze before its submerged in a haze of sound and soul as it draws to a dizzying close. The band continues to push their folk-pop just up to the edge of psychedelic pool without letting the waters stain them too deeply. Each new offering from them is a giddy delight, placing the record far up the list of essentials for 2019.

The band’s taking the record on the road with Ryan Jewell and Frank Maston on board in the band, which is another great reason to get excited!



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Olden Yolk – “Cotton & Cane”

One of my absolute favorite albums of the last few years has to be Olden Yolk’s rain and jangles debut on Trouble in Mind. The band announces the follow up Living Theater today with the first single “Cotton & Cane.” Recorded with Woods’ Jarvis Taveniere, the song retains their grey-skied delivery but sharpens the surrounding haze to a fine point. Shane Butler and Caity Shaffer continue to lock their voices into a heady spiral of harmonies while underneath them Butler’s strums run breathless and brazen, sloughing off the timid trappings of jangle with a defiant charm. The accompanying video finds the band wandering pastoral plains and flashing cryptic cards – embracing the bittersweet veil that falls on their sound. The new finds them again with powerhouse label Trouble in Mind, released on May 17th. Personally, I can’t wait.



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RSTB Best of 2018

So, it seems that 2018 is finally coming to an end. It’s been a hell of a year by most standards, but musically its been damn entertaining. Perhaps its fair that there’s some bright spot in all the chaos. Not to diminish the chaos, but when the negativity is at an all-pervasive fever pitch, its feels good to have something to hold onto. I’ll choose to remember 2018 as a banner year for music and for the birth of my second daughter rather than the year that page refresh politics threatened to give me an ulcer any day. Below are my favorite albums of the year, taking care to highlight some that might otherwise get forgotten. They’re in (quasi) alphabetical order with no other particular weight on the list. Keep your eyes out for a few more year-end features this week before I reset for the new year. As always, thanks for sticking with RSTB for these 12-odd years or so.

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Olden Yolk – “Vital Sign”

New strummers Olden Yolk crack into their second single off of an upcoming eponymous debut for Trouble in Mind in February and it’s a sparkling slice of jangle pop. Shane Butler (of Quilt) and Caity Shaffer’s new LP is becoming a staple around here and “Vital Sign” is a highlight off of a record packed with charm, hooks and a good old fashioned dose of knife-twisted heartache. While the band certainly recalls Butler’s work with Quilt, they’re also filling a hole in my heart that was left vacant when Veronica Falls called it quits – blending indie pop and jangle in perfect proportions. The new self-directed video for the clip gives a splash of city color to this lilting pop gem and acts as a nice ballast to the song’s sparse yearning. Gonna want to watch out for that full length at the end of the month, it’s a killer. You’ve been warned.

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