Posts Tagged ‘Night School Records’

J. McFarlane’s Reality Guest – “Your Torturer”

Earlier this year Julia McFarlane (Twerps) slipped out her delightfully dented pop gem TA DA under the name J. McFarlane’s Reality Guest. Like many platters issued on Hobbies Galore, it came and went quickly with a small pressing. Like some of her other labelmates though (Possible Humans) another label is coming to the rescue with a wide release. London’s Night School Records brings a 500 press to her debut and in anticipation they’ve got a disjointed new vid for her track “Your Torturer” that echoes the song’s pop wobble. Check the video above, and if you slept on this earlier in the year, now’s your chance to catch up.



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Patience – “The Girls Are Chewing Gum”

Following the dissolution of revered band Veronica Falls, Roxanne Clifford’s taken a shift towards synth pop, using her gift for gauzy pop to pin down deft hooks to a more propulsive muse. Patience has been issuing a sterling run of singles since 2016, but today she announces her debut LP, Dizzy Spells for Night School/Winona Records. The announcement comes with a new video in tow for the Eurythmics via Tones on Tail slanted cut “The Girls Are Chewing Gum.” The track dances in the corners of the room, lost in its own dream. The synth tones sidle up just this side of goth, but those skittering drums splash a bit more sun on the track, keeping the velvet curtain of that particular genre at bay. Slotted alongside former standouts “White of An Eye,” “The Pressure,” and “The Church” the album already feels like a future classic. Check the neon nostalgia of the video for “Girls” above and watch for the LP May 3rd.

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Molly Nilsson – “Days of Dust”

Some great singles have been trickling out of the upcoming Molly Nilsson album Twenty Twenty. “Days of Dust” might top them all, though. The song is insistent, built on a skipping-heart beat, but it’s also slightly laconic with more than a twist of wistfulness threading through her lyrics and a squint of sun soaking around the edges. Unlike some of the synthpop that’s popped up from the new album, this one is a pure guitar gem that’s a kindred spirit to recent albums by David West and Business of Dreams, capturing the kind of ‘80s heartache that’s always better in hindsight. She pairs the rose-tinted single with one of the simpler video setups so far, just some live shots, aimless and free as late summer. This one’s staying on repeat.

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Roxanne Clifford on Shirley Collins and Davy Graham – Folk Roots, New Routes

I’m excited to say that this series now boasts two members of longtime RSTB fave Veronica Falls. Though the band has gone on to new ventures, their taut indie pop will forever be embedded in my heart. One of the band’s greatest strengths was songwriter and singer Roxanne Clifford and she’s brought that same spirit, albeit with an ear towards synth-pop strains over jangles, to her band Patience. With a clutch of great singles already in her catalog, the band has already proven indispensable. So, I was eager to see what Roxanne would pick as deserving of another listen and some time under the spotlight. She’s reached back to a folk classic, the homespun folk of Shirley Collins and Davy Grahams’s – Folk Roots, New Routes. Check out how this found its way into her collection.

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Patience – “White Of An Eye”

The end of Veronica Falls always left me feeling a bit sad. The band’s perfect distillation of jangle-pop on the skids, sunny melodies with a tear in their eye, was always comforting. James Hoare has gone on to a myriad bands in the interim, but Roxanne Clifford’s output has been more selective. Now on her third single as Patience, Clifford is ably working a brand of synth-pop stung with jangles and it suits her well. “White Of An Eye” swims through the backwaters of the ’80s – mopping up bits of The Jasmine Minks on a bender with Chris & Cosey and Strawberry Switchblade. Hopefully this third single signals the oncoming announcement of an album proper. For now, though, we’ll have to just enjoy it on its own merits. This one’s been growing on me with each subsequent listen.

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