Posts Tagged ‘Loose Koozies’

Favorite Albums of 2020

Here’s the year end list. I’m not gonna wax on about how this year was rough, we all know it was a shit year and even more so for artists. It was, however, a great year for recorded music, and I had a hard time not making this list about twice as long to show love for all the albums that lifted me this year. I’ve long been against the whole idea of numbered lists, so once again things are presented in quasi-alphabetical style (I always mess one or two up in creating this, but you get the point). I’ve included Bandcamp embeds where they exist, so if you have the means and find something new, please reach out and support the artists here. Looking forward to 2021 as another year that music makes getting through easier.

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Mixtape: Goodwill Cowboys Ride Again

At the end of last year I put together a mixtape that shifted the focus of the series from more archival offerings to something that wrapped up newer artists. Some Cowboy You Turned Out To Be took a look at a new wave if indie, alt, and cosmic country and now I’m offering up a sequel that expands the spectrum, reaching back a couple of years to nab some I’ve missed and including a crush of new songs that have found their way out in the last year. The wave of Cosmic Americana is still going strong and there are a lot of new names here and even a couple that cropped up on Cowboy that have already let new gems out in to the air. The last time the mix had a bit of a heavy heart, but there’s a bit more jubilance this time around. Continuing with the cowboy theme, I’ve nabbed a bit of phrasing from Michael Chapman for this mix.Check out the trackless and stream below.

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Best of 2020 (so far)

2020’s been a hell of a year, and one that doesn’t feel like definitive statements do it justice. Still, no matter how many seismic changes have occurred during the year, the music has been a source of solace and inspiration. The fact that so many artists have had their livelihoods upended gives it a slightly sour note, especially for some that may have been working years to let these statements out into the world. Keep hitting the Bandcamp revenue shares to support artists and labels directly. If you need some suggestions there’s quite a few below. Keep in mind that ‘best’ is by no means definitive, but these are some of my favorites. We all know that Run The Jewels hits hard, but someone else is gonna tell you about it better than I ever could. Still lots to look forward to musically in the second half, but the first part of the year has been a bounty to be sure.

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Loose Koozies

I’ve said it many times, but its worth repeating, the past few years have been a golden age for alt-country. The strains are many — cosmic-tinged psych that dots a few pot leaves on the ol’ nudie suits, indie country that pulls from No Depression template, folk strummers with a touch of twang, wage-puncher rags that take the edge off. The latest LP from Detroit’s Loose Koozies employs most, if not all of these subsets at once, while making the transitions appear seamless. While the can scrape the infinite with the best of ‘em, mostly they’re splitting time between the Jayhawks/Tuepelo template and The Replacements shaggy dog day-job sufferers with a bit more barroom twang on board. The band’s E.M. Allen has got a damn fine Jay Farrar gristle in his windpipe and that might make the comparison lazy if it weren’t so spot-on. Aside from the aesthetic similarities, the band excels at making the ordinary trappings of work, vice, sorrow, and simple pleasures elevate from the benign to divine, like both of their influences before them.

While Detroit might not have the stamp of a country hotbed, it’s certainly got all the right pieces in place. Having grown up in Michigan myself, I know the hold the genre can have on the populace. Seems their prowess proved infections and the band caught the ear of local legend Warren Defever (His Name is Alive), who hopped on board to help guide the grooves that the Koozies lay down. He also found himself studio-side contributing a bit of keys to the record. It’s easy to see what enamored Defever with the band as they’ve captured one of the more raw-nerve version of the new country grit that I’ve heard elsewhere. Many have tried, but few have found the right balance of country-rock chops and sweat-stained honesty that made that ‘90s wave click. Each spin on this record locks it down further as a jukebox staple just waiting for a college town or night-shift bar to embrace it as their own. Don’t let this one slip away.



Support the artist. Buy it HERE.

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