Posts Tagged ‘Little Claw’

Taiwan Housing Project

As I may have mentioned when the first single hit, I’m thoroughly excited for the full bore return of Kilynn Lunsford, she of the sorely overlooked caustic rockers Little Claw. The singer returns with the first full length from Tawian Housing Projet, a sprawling post-punk noise collective she started with ex-Harry Pussy mainstay Mark Feehan. The band also pulls in members of Tyvek, Writhing Squares, Tickley Feather and Dan Melchior’s gang of garage punks. That lineup reads like an RSTB who’s who and as expected the band chews noise-spun frantic panic into a vital stew that dips the listener in a cauldron cradled acid bath of sound and squelch.

Taiwan Housing Project, like Little Claw before them, pulls the same slight of hand shuffle; brutalizing at first blush with dented and demented guitars, clattering percussion and a free jazz hazing ritual of horns, but dig further and the sonic debris disguises some of the most solid pop hooks to find their way crawling out of the post-punk puddle in 2017. Lunsford and Feehan plug straight into a high-functioning wavelength that channels the B-52s if they’d relocated to New England and stapled their house-party punk to Sonic Youth’s tornado of feedback. Atop this ragged and glorious din, Lunsford howls, swoons, gnaws and accuses as if she’s the heir apparent to Poly Styrene’s crown of thorns.

The LP follows on a promising EP from M’lady’s last year, but after hearing Velben Death Mask those tracks seem like preamble to the main event. The record is as bracing, breathless and acerbic as anything you’re likely to hear this year and it’s jockeying heartily for the top spot as one of the best of 2017. In an age that’s more likely than ever to see labels softening their signings to fit into a narrowed view of consumer acceptance and exposure through licensing, it’s reassuring to know that Kill Rock Stars is still out there ignoring commercial appeal in exchange for immortality. This is the kind of record that grows in legend with years to come – a miss it now and kick yourself kind of noise gem that winds up collector’s fodder and fan lore. This is the real thing.




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Taiwan Housing Project – “Authentic Alien Perfume”

Taiwan Housing Project popped up with a great 7″ on M’Lady’s in 2015, a shot of promise from two artists that bubble up on the RSTB faves list, Kilynn Lunsford (LITTLE CLAW) and Mark Feehan (HARRY PUSSY). I was always particularly saddened by the loss of Little Claw. Their brand of chaotic, aggressive post-punk was few and far between in this century. So with that in mind, it’s great to have Lunsford back at the helm of Taiwan Housing Project. The first cut from the upcoming album on Kill Rock Stars shows THP embracing that ethos and going a few steps further, upping the ante with frantic squalls of noise married to an insistent dance beat. The song winds up like a B-52’s single run through the wood chipper with with copies of The Contortions, Maximum Joy and This Heat. Easily one of the most vital songs released this year. Put this one high up on your anticipation index.




Support the artist. Buy it HERE.

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RSTB Most Overlooked

So, here it is. Raven has turned 10, which means that I’ve been doing this for a friggin’ decade at this point and I have to say, it hasn’t been a bad ride. With the site’s turn into the double digits it seemed time for a new coat of paint, which you may notice in the form of our new design and move to the proper .com address.

I spent quite a bit of time pouring over the site’s past in the last few months leading up to this relaunch and while I will work to get some larger features going this year, I’m not going to make lists a regular part of the site, outside of the mid-year and year-end wrap ups. I’ve never been a fan of running down rut-worn lists of records based on a loosely tied theme. But…nostalgia begged a bit and I came across several posts on records I thought just never got a fair shake. Its not a list of my best of the last ten years, those you can probably put together yourself from year end lists, rather these are some great records that just never seemed to garner enough yelling about them.

However, rest assured that despite a new look, the ethos of RSTB will remain largely the same. I’ll still focus on reviews that don’t get too gabby, some videos and now a short bit on tracks that are exciting from releases to come. There will still be a focus on the physical formats and prods to buy them, because paying artists for music you can hold in your hands will always be a good idea. So, without further adieu… the list.

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