Posts Tagged ‘King Gizzard’

White Bleaches – “Mystery Child”

Melbourne’s Mystery Child come with a crack team behind the boards (King Gizz’ Stu McKenzine recording/Mikey Young mastering) and they deliver on the hopes of those that have taken them in. Their latest single has a loose-slung garage-surf feel to it that’s just the right combination of shaggy and catchy. The a-side drops a fuzzed out groove with sun in its hair and a dark ripple snaking through the bass. You can feel the Gizzard influence, but they’re definitely keeping things restrained, no J Dwyer howls blistering the paint, just smoke ring cool with a dash of psych sneer. They actually find a lot of common ground with Black Lips during their Ronson days to drop a point of reference. The flip is a bit lighter in tone, with a pop top beat that shakes the shutters and makes for a beachside highlight when paired with the tanned to distraction vocals that fleck the track. Not a bad showing. Hopefully they keep the tech team in tact and turn this momentum into a full length for Flightless. Aussie garage psych that’s bone-dried and best here.




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The Murlocs

So a few tastes of The Murlocs rolled in prior to Young Blindness’ release as videos over the last couple of months and now the record has finally arrived. Naturally the band draw comparisons to singer Ambrose Kenny-Smith’s slightly (maybe just a little) more famous band, King Gizzard & The Lizard Wizard, but aside from having a love for garage as a base and the sound of Kenny-Smith’s blistering harp, its not entirely fair to always loop them in together. The Murlocs push away from the heavy psychedelics of their seven-headed cousins, instead focusing on a garage glazed R&B hybrid that’s more attuned to the stomping riffs of The Animals and The Remains than they are to lysergic breakdowns.

The album has plenty of propulsive tricks of its own but a face-melting barrage isn’t really the band’s forte, instead they opt for a kind of laid back swagger that plays it casual and hip-slung from the moment the record opens. The best tracks aren’t entirely reclined to the point of feeling lax, but they definitely have an air of stoned reverence for keeping it cool. At the core of that cool, though, is a hard pop nugget that’s tying the record to the rails, crawling like a demon for your dance starved soul and howling the herald of The Murlocs’ arrival is Kenny-Smith with lungs like fire. Its hard to pull off the balance of feeling leather locked composed and still inspiring listeners to jump up on their feet in joy, but Young Blindness pulls it off like it was nothing to sweat over.





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King Gizzard & The Lizard Wizard – “Gamma Knife”

Ah its almost unfair how much greatness is coming out of the South Hemi this week. Yesterday graces us with a cut from The Murlocs and today the next King Gizz is confirmed and already burning with the release of the “Gamma Knife” video. This is the long rumored release that the band was recording at Daptone while there were here last year and its taken that long to knock this one into the blistering shape hinted at on “Gamma Knife.” A year in the oven is a long time for a band on a three-record-a-year schedule, so hopes are pretty high for Nonagon Infinity to go ahead and flatten a few skulls.

The first cut doesn’t disappoint. It gets right back to the Gizz in fine form hitting, the octane gulping garage-prog that’s made them a household fixture this year. The video is much in the same light as “Trapdoor” from Paper Mâché Dream Balloon, a trip through the ren-faire rabbit hole, mixed with plenty of psychedelic overtones and effects. Doesn’t look like ATO has any more of their pre-orders up but, I’d say get in line for the Aussie pre-order now. Even with shipping this one’s gonna be worth it.


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