Posts Tagged ‘Jonas Munk’

Kanaan

Good to see the fertile jam genes of Europe also embracing in the more improvisational side of psych, with Oslo’s Kanaan following up their 2018 debut with a live in the studio take that pushes them into freeform territory. With the label’s Jonas Munk behind the boards, the LP shows a more experimental side of the band. Kanaan holed up in Munk’s studio Odense (hence the title), and Munk joined in on guitar to take these four tracks beyond where the band had pushed prior. As with their debut Windborne, there’s a sense of unease and tension built into the bones of Kanaan’s sound, giving these tracks a sense of freedom but also a forboding wind at their backs. Opener “Seemingly Changeless Stars” builds slow and steady on riffs that threaten to break and cascading ripples of guitar that come straight from the Ripley Johnson school of liquid licks. The floodwaters break by the end and the band brings a wave of relief crashing down on listeners.

The addition of a second guitar suits the band, and Munk seats himself well into their sound, carving out delicate textures through the band’s monolithic rock structures. Over four tracks, the band cements their status as ones to watch on the psychedelic spectrum. The band’s debut was solid, but this moves them beyond echoing their influences and into etching a few new pages in the ledger of lysergic travelers. They strip away some of the tension by the time the second side rolls around and we’re treated to a mercurial melt on “Vacant Spaces,” slowly creeping to a growling close. The band doesn’t let the eleven-minute mark define the limits of their mind expansion, though. They tip into the fourteen + closer that also balances nimble fretwork and tempered chaos, exploding through the second half with a clear-cut fury. If you missed out on Windbourne pick up the story here, this feels like the moment that Kanaan begin.


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Jonas Munk & Niklas Sørensen

Another sparkling gem out of the El Paraiso pocket here, this time from label co-head Jonas Munk along with Niklas Sørensen (Papir). Always Already Here locks into a Kosmiche wave and threads synth ripples through the swell. The pair head into the project with minimalism on the brain and they come out of it nicely unencumbered, building hypnotic patterns that play in the analog fizz. With a palette of synth and syncopated guitars, the duo submerge the listener into the light, dripping sounds from the surface and rendering any surrounding noise canceled with their startling calm.

There’s a deep dedication to the Göttsching school here, and the album brings to mind Inventions For Electric Guitar‘s lagurous beauty on more than one occasion, among some later nods towards Ashra’s more synth heavy trips. The album is a sonic cavern, a protective layer that spreads like gel around the brain as it unfolds. More than just hanging the listener into suspended animation, though, the pair strip away the weight of worry with each round of repetition and each opalescent splash of guitar. The record is a sonic scrub for the soul, allowing a disconnect from reality to recalibrate the brain and take a breath. If the world’s been getting to be too much and you’re in need of an aural vacation, then Munk and Sørensen have just the deep dive you’ve been looking for.




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