Posts Tagged ‘Jack Cooper’

Modern Nature – “Harvest”

Modern Nature rev up the release of their new EP with yet another taste from the ranks, this time featuring fellow RSTB fave Itasca (Kayla Cohen) on vocals. As with the bulk of their previous album, the track is built on a low-slung tension that seems to simmer and steam through the speakers. This time, though they build a symbiosis with Cohen turning a yearning folktale into a vibrating mass of sound that’s streaked with melancholy. The song has the feeling of staring into your reflection in a fogged up mirror — immersive, meditative, but obscured by a layer that distorts the truth. This is one of the most complete visions from the band, turning their haunted pop into an aching three-minutes of salvation. The EP is out June 5th.

Support the artist. Buy it HERE.

0 Comments

Modern Nature – “Flourish”

The current climate has produced a hundred heartbreaks, several of which include shuttered tours in the upcoming months. Modern Nature’s recent leg was included in the cull — bad news indeed. However some silver lining solace lays in the news that Jack Cooper’s (Mazes, Ultimate Painting) most recent resting place has a new EP on the way from Bella Union in the summer. The band releases the slinking, skulking cut “Flourish” this week and it’s an organic extension of what was built up on the recent How To Live. With a crouched countenance and a smoke-stained simmer, the song introduces the upcoming Annual as an inseparable companion piece to their most recent release. The sax of Sunwatchers’ Jeff Tobias provides a supple connective tissue to the song, with Cooper’s woolen delivery pushing away from the Krautrock cadence of the album and preceding LP a bit. The EP lands on June 5th. Keep an eye out.



Support the artist. Buy it HERE.

0 Comments

Modern Nature

Following up the eponymous 12” that established Jack Cooper’s new band earlier this year, Modern Nature cements their status with their debut LP, How To Live. The record’s been touted as a cross-section of where the country meets the city – folk forms grafted to a skeleton of motorik pulses and ripples of jazz skronk. There’s also a heavy permeation of cosmic waves that find their way into Modern Nature’s DNA. The band, and Cooper, are careful not to pack to much into one particular song, though. This is a progression, a journey from chaos to meditative ease (relatively speaking). The fluctuations happen organically, in waves and cycles throughout the album. Opening with the organic mew of cello strings, the album massages the darkness that UK-centric folk groups like Pentangle, Fairport Convention, and Incredible String Band carried with them into the crevices of propulsive pop.

Cooper paired up with Will Young (BEAK>, Moon Gangs) for this album and he’s given the songs the wash of rhythm that sneaks in through the fog of folk. Young adds rusted tin atmospheres, the rumble of rails, and the bustle of cityscapes to each song. When the urban life decays and fades, Young helps harness the brokenness and isolation of life change. The band’s namesake song might be their most pop performance, a bubbly and bittersweet hook to hang the album on, but it surrounded by more scarred samples. The haunted “Oracle” is gaunt and unsure. “Nightmares” is, in contrast to its title, surprisingly serene and reassuring, a break through the dark into dawn, but it also shies away from the light.

Its easy to trace back pieces of Modern Nature to previous Cooper-led bands. The pulses found their way into Mazes’ “Skulking” and “Salford” rise up here, and the melancholy and hope that drove Ultimate Painting holds strong as a centerpiece of the new group. Modern Nature finds its brilliance in balance. The essence of the album hangs over crowds like collective breath in cold air – one with the ether while the city moves below. The album has the kind of feeling of a passenger locked into thoughts so deep they forget to disembark the train until it hits the last destination and as we and they stumble out into the cold sun of spring there lies the the ocean, lappping listlessly, but still sparkling with the cold light of morning. This is an album about forgotten firmaments, and changing centers. Its an album ever in transition and we’re all just trying to hold on, or let go, whichever seems most appropriate.



Support the artist. Buy it HERE.

0 Comments

Modern Nature – “Footsteps”

Jack Cooper’s dizzying new band Modern Nature has let slip a few listens to their upcoming eponymous LP and now they give a visual representation of the nervous energy that drives the band’s sound. The Jake McGowan directed video shows Cooper pacing around the city, backgrounds spinning, flipping, and blurring in disorienting fashion to the beat. While much of the album embraces a pastoral creep into Krautrock’s camp, “Footsteps” is pure motorik mayhem. The songs locks down into a Neu-nicked groove and slashes at the panic with stabs of sax from Sunwatchers’ Jeff Tobias. Fans of Coo[ers’ Mazes should find a bit to chew on here, but in general Modern Nature is a singularly engrossing entity from Cooper’s musical universe. I’ve said before, I’m sad Ultimate Painting had to go, but if Modern Nature is the result of the fallout, its not all ashes left behind. The record is out on Bella Union August 30th.



Support the artist. Buy it HERE

0 Comments

Modern Nature – “Peradam”

Jack Cooper’s (Ultimate Painting, Mazes) new haunt Modern Nature announces an album to follow up their stellar 12” from earlier this year. First offering “Peradam” isn’t quite as rooted in the motorik mindset that held sway on “Nature,” but its still got rhythm on its mind and a sweeping sense of motion beneath the autumnal croon of Cooper and the soft scuttle of sax. How To Live is being billed as a halfway hideaway between Neu and Can’s German Progressive patter and the more lilting folk of Caravan. Honestly, I’m all in on the prog-folk permutations that Cooper’s tumbling through, and while this track has some fine charms, I have a feeling the key’s going to be locking the whole album together into a tapestry of propulsion and strum. The record employs some fine extended bench, with Cooper collaborating mainly with Will Young of BEAK> with contributions from Aaron Nevue (Woods) and Jeff obias (Sunwatchers). Check out the first video above and look out for the new LP August 23rd on Bella Union.



Support the artist. Buy it HERE.

0 Comments

Modern Nature

Following the unfortunate fallout from Ultimate Painting’s implosion, the band’s Jack Cooper heads inward, which is saying something. His previous outfit had a particular proclivity for introverted indie-pop that felt like it carved a distinct connection with each and every listener. While he’s shying away from the pop aspect of his writing, that core connection and folk formulation remains on Nature. The EP, built on the cavern coolness of purred vocals and bubbling cosmic grooves, gives his work a psychedelic tweak, but its the work of someone spiraling down the depths of the unconscious coil rather than exploring the etchings in the dayglo painted stars above. He’s assembled a crack team to pull off his new vision as well, pulling in members of Woods, Herbcraft, Sunwatchers, and Beak on these four engrossing tracks.

While the propulsion of the title track begs Neu-nerds to come out of the woodwork, the track is self-professed in its allusions to the more experimental bend of ’69 Fairport Convention (in particular “A Sailor’s Life”) and the trend of bucolic English psych-folk toward the creep of drone’s embrace becomes a touchstone for the album. The opening and closing tracks are different visions of the same oasis, with “Supernature” taking the listener much further into the catacombs of consciousness. Elsewhere Cooper explores the sun-licked peace of acoustic thrum on “Flats,” and throws in a cover of the perennially inspiring “Blackwaterside” folk-tale, skipping just Ren Faire aesthetics that lesser artist can cave to and finding the meditative beauty that Jansch and Denny brought to the traditional piece.

Cooper seems to admit that this EP came out of something beyond him, and whether it becomes the beginning of something longer term or just a watershed to tide him through the transition remains to be seen. I’m hoping that he continues down this road, though. The experimental folk badge looks good on him and should the band begin rotating in talent like those assembled so far, it could be a great new chapter in Cooper’s pop cannon.

Support the artist. Buy it HERE.

0 Comments

Modern Nature – “Supernature”

As I may have mentioned before, I was saddened when Ultimate Painting not only folded last year, but also pulled their final album from release. It was a masterful pop album that deserved light, even if its creators were sent splitting in two different, irreconcilable directions. All is not lost, however. While UP has been consigned to the land of wind and ghosts, the two creative forces behind the band are, in fact, inexhaustible hubs of musical fare. It would seem that Jack Cooper is already onto his newest venture, releasing three new tracks as Modern Nature.

With a mutable lineup, that here includes keyboardist Will Young, drummer Aaron Neveu (Woods), cellist Ruper Gillett, and saxophonist Jeff Tobias (Sunwatchers), Cooper sets out to conquer a considerably more expansive end of the musical spectrum than he has dabbed in in the past. With a heavy investment in modal psych, the new EP embraces Cooper’s previous touches on psychedelic pop but drops through about six layers of mind fuzz further into the frosted ether for a sound that’s build on circular drones, sweat lodge sax hallucinations and a quasar-nudging foray into psychedelic chakra expansion. Its a surprising heel turn, but a welcome one nonetheless . Check the first track, which tops out around twelve minutes of cosmic float. The EP is out on Bella Union, March 22nd.

Support the artist. Buy it HERE.

0 Comments

Ultimate Painting – “Not Gonna Burn Myself Anymore”

Few records in the past couple of years hold up to the the bittersweet pang of Ultimate Painting’s last album, Dusk. It was a study in melancholy wrapped in appropriately lush production and marked by the brushstrokes of two of indie’s great new voices. The band now makes a jump from their home at Trouble in Mind to Bella Union and while the songwriting and production remains intimate and confessional, the tone takes a tip upward towards the light, as the album’s title, Up! might attest. “Not Gonna Burn Myself Anymore” is haunted by all the familiar ghosts of Ultimate Painting’s sound – wistful delivery, gently knotted guitars and a somber swoon that’s tempered just a tad with Cooper’s slight smile on the vocals. It’s a promise to keep expectations in check and be a bit selfish for self-preservation’s sake. For two musicians with busy schedule’s its probably a hard pill to swallow but it comes together nicely on this first single.

Support the artist. Buy it HERE.

0 Comments

Ultimate Painting

Three albums in Ultimate Painting have proved that they are not a band who burnt their wick in the short term. Refining their melted horizon vibes over the last two albums, they come fully into their own on Dusk. James Hoare has always been a secret weapon in Veronica Falls’ roster, with a beyond-his-years aesthetic that’s given pathos to his own songs and seen him pair up recently with luminaries like Pete Astor (The Loft, Weather Prophets). Now, along with Jack Cooper, he’s creating a bummer vibe that’s picking up pieces of The La’s, Dios (tell me that “Song For Brian Jones” doesn’t have a bit of “You Got Me All Wrong” in its bones and I’ll call you a liar), The Free Design and Heatmiser. Where they earned their VU fan club card on the first album and traded it in for a Teenage Fanclub badge on the second, they’ve come fully into their own on the third, synthesizing their love of pop both contemporary and on the dour side of the ’60s cannon this time ’round.

They’ve found a bittersweet comfort in pop’s arms, never showy, never overplaying their hand. There are scads of indie bands that will fill you full of bright strum, jangled choruses and twee notions but what’s great about Ultimate Painting’s realization of character is that they know they’re not a bolt of sunshine and they couldn’t care less about your reaction to their vibe. James and Jack have created a constant comedown, a space of perfect sighed bliss and reticence. I’ve been waiting for the band to find this balance, this refinement, and on Dusk they become the band they’ve always threatened to be. They’ve longed to be your resigned exhale into the cold air, the musical equivalent of frosted breath on a November morning, curling ever into the ether. They’ve left in the imperfection of tape hiss, giving the album a feeling of confessional beauty, frayed, but at the same time obviously pored over with a meticulous comb and ordered by two songwriters who have spent years finding their voice. This is the best that Ultimate Painting have presented and its one of the most autumnal records to slide out this year, fully formed and hugging the listener like a friendly shoulder.

Support the artist. Buy it HERE.

0 Comments

Ultimate Painting – “Song For Brian Jones”

Ultimate Painting have steadily smoothed their sound, found their footing and arrived at the autumnal opus that is Dusk. Standout elegy for troubled Rolling Stones member Brian Jones is pretty indicative of where the band have taken their sound for this album ironing out their VU love and wandering closer to the sunset psych of aughts mainstays like Dios (Dios Malos if you want to get litigious) or the less cavernous moments of Beachwood Sparks. The song is a fitting tear shed for Jones and as strong and argument as you could ever make for getting James Hoare and Jack Cooper together. The clip is appropriately swimming in double imagery and softly psychedelic shots of Hoare’s studio and a verdant landscape. Its not the most groundbreaking visual but its a nice accompaniment to the band’s pop flutter. Between this and the Pete Astor album, it seems that James Hoare is making himself responsible for some of my favorite moments of gentle pop hum this year. Here’s hoping he keeps it up.



Support the artist. Buy it HERE.

0 Comments