Posts Tagged ‘Indie Pop’

Young Guv – “Roll With Me”

This new Young Guv album begins to take greater shape with the arrival of a second single and the lush, power pop vibes are strong here. Not as overtly shiny or as dug deep into the footsteps of The Quick and Milk n’ Cookies as his stunner Ripe 4 Luv, “Roll With Me” shows a creep towards ‘90s indie pop. There’s a quickstep tumble of drums and a shaggy, denim-clad harmony that won’t quite meet your gaze from beneath a nest of bangs. There’s a touch of Fanclub hanging on Big Star’s swoon, a little Elliott Smith and Velvet Crush in the mix and while the familiar feelings put a few hairs up on the back of the neck, he’s capturing the spaces between those artists rather than retracing their steps. Hoping the rest of the album winds up as comfortably melancholy as this one

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Parsnip – “Lift Off”

Melbourne four-piece Parsnip have been banging around the Aussie underground for a few years now, showing up on Anti-Fade comps and singles with a delightfully simple sway. The band’s always captured a sort of sun-kissed vision of where post-punk and indie pop clasp hands — the kind that brought the Marine Girls into focus or the type that let Tiger Trap releas smiles on an infinite loop inside your brain. Throw in a good nod or two to late ‘90s power poppers and paisley fallouts like The Apples in Stereo and they’ve been hard resist. The band’s latest single, a prelude to an album on both Anti-Fade at home and Trouble in Mind here in the states, is just as damnably hummable as anything in their catalog. The song jangles and spins, breaks down into girl-gang choruses, and in general brings the rush of childhood back for one more go-round the in the soul. When the Tree Bears Fruit is out August 30th. Be sure to keep it in mind.



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Sachet – “Nets”

A nice cut outta South Hemi enclave Tenth Court works as a great introduction to Melbourne’s Sachet. The foursome makes springy indie pop that’s tethered to a muscular strum, male/female harmonies swirl above a flex of bass and head nodding snap of drums. The band has emerged from the hollowed hull of Day Ravies and they share an affinity soft angles and gentle harmonies. “Nets” starts in sweet and swaddled, seemingly a doe-eyed indie-pop strummer before it turns the tension up in the second half, crashing through the speakers with steely sincerity. The song precedes their sophomore album of the same name set to be released in September. I’d advise keeping an ear out for that one.



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J. McFarlane’s Reality Guest – “Your Torturer”

Earlier this year Julia McFarlane (Twerps) slipped out her delightfully dented pop gem TA DA under the name J. McFarlane’s Reality Guest. Like many platters issued on Hobbies Galore, it came and went quickly with a small pressing. Like some of her other labelmates though (Possible Humans) another label is coming to the rescue with a wide release. London’s Night School Records brings a 500 press to her debut and in anticipation they’ve got a disjointed new vid for her track “Your Torturer” that echoes the song’s pop wobble. Check the video above, and if you slept on this earlier in the year, now’s your chance to catch up.



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Jeanines

There are a few variations, but the true Slumberland sound is instantly evident when it comes floating in on the breeze. It marks a release like a stain (in the best ways). The debut from Brooklyn’s Jeanines is so stuffed full of Slumberland hallmarks and it’s hard to envision it any other place, unless Sarah Records is planning a revival I don’t know about. With production cut to the bone, the album bounces jangles off of every surface in the room, filling the listener’s ears with a delightfully sprightly sound. Alicia Jeanine has a voice that tugs at the memory, bringing visions of Marine Girls, Black Tambourine, Veronica Falls, and Dolly Mixture swimming to the surface. Along with Jed Smith, she’s built a debut that’s unassuming but completely consuming. Soaked in bittersweet bliss, the album is a DIY gem that seamlessly slots itself into the famed roster.

There are songs that pine for lost love and likewise rebuff unsuitable suitors. There are rough cut diamonds, buffed to a sheen through sheer force of janglin’ strings. Jeanine layers her voice, giving her three-part harmonies with a spectral band of selves and it works like a four-track Carter Family supplanting their country roots with DIY DNA – pinning a few new badges on their bittersweet swoon. Smith fills out each track amiably with just the barest amount of backing that packs on the basement practice space charms. They emulate the limited options of ‘80s and ‘90s stalwarts, despite the home recorded revolution. Fans of anything Slumberland, Postcard, Sarah, Cloudberry should be right at home here. The band is studied and serious about keeping their influences tattooed on for all to see. You could be a grump and call ‘em derivative, If it weren’t all so delightfully spot-on, so sincere, and so damnably catchy.



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Sacred Paws – “How Far”

On their sophomore LP, UK duo Sacred Paws continues their thread of simple, yet sunny indie pop. “How Far” practically skips into the room on its acoustic strums, twirling in the sunlight like a kid let out of school early. The song’s so loose and airy it barely has bones but the pair keep it together with the charms of vets who’ve been honing their pop pedigree longer than their years would let on. The song approaches the edges of afrobeat before pulling back towards the indie-pop garden and the skittering lilt that guitarist Rachel Aggs adds to the song’s burbling beat is all the better for it. Definitely looking forward to this album as it rolls out from the band May 31st.




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Blue Jeans – “Friends & Lovers”

Got a brand-new track from Michigan jangle-pop trio Blue Jeans and its swimming in allusions to the golden years of the twee end of the spectrum. Shades of classic Slumberland, Cloudberry, Flying Nun, and Subway abound, and with good reason. The band boasts a trio of music writers, alongside Saturday Looks Good To Me’s Fred Thomas, at their core. The band leaves influences draped all over their sleeves and the joy they get from dipping into the fray is palpable. The song itself celebrates making records, listening to records, and loving records with the kind of anguish that makes one stay awake late at night playing a song over and over into the headphones until the dark finally wins the fight. They’ve captured the long sigh of indie-pop with the attention to detail of listeners who’ve made it their duty to absorb every last lingering lilt. Check out the zine-worthy video above and be sure to keep an eye out for their debut LP May 17th.



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Matt Surfin’ & Friends – “Waiting On You”

New slice of shimmer pop out today from Matt Surfin’ and Friends, the collaborative project of Matt Serferian (Donovan Wolfington, POPE). “Waitin’ On You” on you slides in on Summer winds, catching some of the downdraft from The Cars as well as more contemporary pop diggers Sam Flax and Wyatt Blair. The band was conceived as a collective of friends and this track features Ross Farbe and Ray Micarelli from Video Age. Ross provides the vocal treatment that gives the band its seabreeze air to match Serferian’s musical pleather punch. Matt recalls the song’s incubation – “Waiting On You” is a collaborative work between Ross, Ray, and myself. I felt like I couldn’t do some of the ideas I had justice so I asked Ross if he would be interested in singing the song and maybe helping me rework some parts. We met up months later, rewrote the verses and changed the feel to something more like a dance version of the cleaners from Venus. We wrote and recorded it all in about 8 hours. It was a blast working with such talented musicians and song writers as Ross and Ray as they solidified and expanded my ideas.”

The Records is out May 3rd on Community Records, limited to 300.




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Bleached – “Shitty Ballet”

Bleached have been on a constant tumble away from garage their whole career and with “Shitty Ballet,” they’ve rolled clean out. The track is patient and coiled, starting with the spare, yet driven guitar of Jessica Clavin and followed soon by the perfectly exasperated vocals of her sister Jennifer. The track’s a build to an inevitable breaking point. You can feel it coming on from the moment the first strum hits, but its no less satisfying when the band finally breaks down the levee and lets loose with a torrent of fuzz, crashing through with a deluge of frustration that melts into catharsis. They red-line the song without a care for fidelity or formality and it’s the kind of scream along satisfaction that picks at the best scabs of ‘90s indie. Catch the video for the new song above.

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Shana Cleveland – “Don’t Let Me Sleep”

Shana Cleveland lets out the second single from her upcoming, Night of the Worm Moon, which is quickly becoming one of my favorites of 2019. Much like the previous single, “Don’t Let Me Sleep” languishes in late-night vibes and spectral calm. The song, and album, are a departure from the taut garage pop of her La Luz days, but Cleveland proves that less is more with these affecting and dreamy tunes. The accompnying video is no less dreamy, in fact. Centered on an extraterrestrial concept, the clip is awash in shimmering colors and midnight locales. Its a perfect compliment to Shana’s lullaby pleas. The album is out April 5th, and I highly recommend looking into a copy.

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