Posts Tagged ‘Important Records’

Acid Mothers Temple & Melting Paraiso U.F.O. – “Nebulous Hyper Meditation”

Why is it I’m somehow both surprised and not surprised that there’s never any clatter about a new AMT on the horizon? The long running (21 years!) Japanese psych lords are reaching a new chapter with the exit of longtime rhythm unit Shimura Koji and Tsuyama Atsushi, and with the addition of some youngblood players, Makoto Kawabata seems to be invigorated on this latest cut. It creeps in on sweeping synths, swirling and illusory as quasars, while Kawabata locks in his guitar to euphoric bliss. It seems that we’re never too far from one Acid Mother’s release or another, but that’s no reason to go taking ozone burners like this for granted. Someday there won’t be any more Acid Mother’s Temple, and on that day I assume there will be a collective funeral from the heads of the world, the band lifted off in a Sky Burial/Viking Funeral type situation that turns supernova overhead. But for now, cherish the gifts that come down the mountain.



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Bill Horist

Guitarist Bill Horist, long a member of psych collective Master Musicians of Bukake, crafts here a score for Calgary choreographer Davida Monk’s piece Dream Pavilion. The score and accompanying dance piece set out to bring life to Netsuke, tiny Japanese sculptures that often depict gods, animals and people in moments of extreme emotion. As such the pieces vary by the type of character they convey, from slightly playful to, more often, dark and foreboding. Horist’s use of prepared guitar and a Vietnamese lute called đàn nguyệt were the mainstays of the live performances but here he’s further augmented them in studio with the addition of bass, percussion and electronics that further serve to bring out the usually frozen emotions that are caught in the Netsuke’s expressions. The record acts as a journey down the snake’s den, rather than the rabbit hole, winding and weaving through the dark corridors with deft precision and a predatory tension. Its jarring at times but on the whole an engrossing listen that captures the imagination even without the dance.

Listen:


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