Posts Tagged ‘Fog Window’

Best of 2019 (so far)

It’s been a hell of a year so far and now it’s time to run down the albums that have stuck around the turntable the longest. For all the fraught emotions and everyday injustices, there’s still some bright spot of solace in music. That’s not a trade-off, but its something to keep you going. As usual, these are the best records that filter through the Raven aesthetic. I’ll be off next week on vacation so this 30-spot plus the ensuing two and a half hour mix will have to hold you for a week. Gonna take a break until the 2nd week of July. The second half of the year already has a few front runners, so enjoy these gems before the tail end of 2019 comes running atcha.

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Fog Window

For those of you paying attention, Fog Window lives in the extended family of Devin, Gary & Ross, the bizarro psych trio who have been frothing in the fringes for the last decade or so. The players themselves have been on the horizon even longer. Gary Panter issued a single with the Residents, did design work for Pee Wee’s Playhouse, contributed comics to RAW and knocked out a Yo La Tengo cover painting and you barely thought to say ‘thanks.’ Panter hooked up with Devin Flynn, also a purveyor of fine comics and illustration (Y’all So Stupid, Adult Swim, Yo Gabba Gabba), as a duo LP on Ecstatic Yod/Feeding Tube in 2011 and eventually they pulled in fellow psychedelic traveler Ross Goldstein to the fold. The partnership set the scene for two LP’s of melatonin-mad psych-folk goo that’ll warp yer wagon if you let ‘em, 2011’s Four Corners and 2014’s Honeycomb of Chakras. They’ve absorbed a couple more campfire cosmonauts into the mix for the lovely sprawl that is Fog Window’s debut – with Lily Rogers and Curtis Godino of the band Worthless rounding out the roster here.

With the deeper bench the band expands the notions of psychedelic drip that and DMT satellite transmissions that DG&R have molded into shape over the last few years. The record is hard to pin down (as might be expected) and the styles shift like colored oils under glass. Rogers adds an ethereal touch with her high register folk fawning, giving Fog Window a dreamy quality on shimmering tracks like “Time in Miles” and “Hippie Girl.” Don’t get your head set on where this is going though, the band won’t sit still for your dream-folk fantasies. The tone shifts to campfire clatter, humble and hummable, and then slides through the silt into spoken word workouts that are half-remembered through the haze of substance, reality, and time.

They drop out of the dream entirely by the time we roll into side three, amping up the ozone past more than a tickle in your throat and knocking a bit of cosmic sense into the listener with a toasted blues shuffle that could take a tête-à-tête with Endless Boogie and come out sauntering. While I appreciate the whole of Fog Window’s mercurial madness, this side hits me just right. “Landing Gear” sets the tone for the second half of the album, which seems to slide further off this crumpled coil and into the wet ink wonderland of the band’s rubberized hallucinations. By the time the fourth and final side is upon you the ground’s gone gummy and started to rise like quicksand, but if feels natural. It feels right. Fog Window are there to hold your hand as you tip off the edge of this shoddy temporal existence. They’re sonic Sherpas for end times shepherding us all into the smoke on the horizon.

Check out a stream of the LP below. Double gatefold comes with a bonus newsprint zine featuring art by the band.

Support the artist. Buy it HERE.


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